We seem now to have arrived at that period of Coleridge's life which a profound student of his poetry, and himself a pleasing and elegant poet, has considered the period of the "Annus Mirabilis." "The Manhood," he observes, "of Coleridge's true poetical life was in the year 1797." This is perfectly true, and at that period he was only twenty-five, as before stated. He was, as is proved in his earlier poems, highly susceptible and sensitive, requiring kindness and sympathy, and the support of something like intellectual friendship. He tells us that he chose his residence at Stowey, on account of his friend Mr. Poole, who assisted and enabled him to brave the storm of "Life's pelting ills." Near him, at Allfoxden, resided Mr. Wordsworth, with whom, he says, "Shortly after my settlement there, I became acquainted, and whose society I found an invaluable blessing, and to whom I looked up with equal reverence as a poet, a philosopher, or a man. His conversation extended to almost all subjects except physics and politics; with the latter he never troubled himself." Although Coleridge lived a most retired life, it was not enough to exempt him from the watchfulness of the spies of government whose employment required some apparent activity before they could receive the reward they expected. Nor did he escape the suspicion of being a dangerous person to the government; which arose partly from his connexion with Wordsworth, and from the great seclusion of his life. Coleridge was ever with book, paper, and pencil in hand, making, in the language of, artists, "Sketches and studies from nature." This suspicion, accompanied with the usual quantity of obloquy, was not merely attached to Coleridge, but extended to his friend, "whose perfect innocence was even adduced as a suspicion of his guilt," by one of these sapients, who observed that "as to Coleridge, there is not much harm in him; for he is a whirl-brain, that talks whatever comes uppermost; but that Wordsworth! he is a dark traitor. You never hear _him_ say a syllable on the subject." During this time the brother poets must have been composing or arranging the Lyrical Ballads, which were published the following year, i.e. 1798. Coleridge also in 1797 wrote the "Remorse," or rather the play he first called Osorio, the name of the principal character in it, but finding afterwards that there was a respectable family of that name residing in London, it was changed for the title of the Remorse, and the principal character, Osorio, to Ordonio. This play was sent to Sheridan. The following remarks were given in Coleridge's "Biographia Literaria," which wholly clears him from the suspicion of being concerned in making maps of a coast, where a smuggler could not land, and they shew what really was his employment; and how poets may be mistaken at all times for other than what they wish to be considered: