integral parts of the same group; but although this doubt may be well founded, it will not invalidate the supposed general principle of the antient sculptors, corroborated, as it is, by innumerable examples. In the evening, after visiting the palaces, Mr. Robinson carried Mr. West to see a grand religious ceremony in one of the churches. Hitherto he was acquainted only with the simple worship of the Quakers. The pomp of the papal ceremonies was as much beyond his comprehension, as the overpowering excellence of the music surpassed his utmost expectations. Undoubtedly, in all the spectacles and amusements of Rome, he possessed a keener sense of enjoyment, arising from the simplicity of his education, than most other travellers. That same sensibility to the beauty of forms and colours which had awakened his genius for painting, was, probably, accompanied with a general superior susceptibility of the other organs as well as the sight; for it is observed that a taste for any one of the fine arts is connected with a general predilection for them all. But neither the Apollo, the Vatican, nor the pomp of the Catholic ritual, excited his feelings to so great a degree as the spectacle which presented itself to his view around the portico of the church. Bred in the universal prosperity of Pennsylvania, where the benevolence of the human bosom was only employed in acts of hospitality and mutual kindness, he had never witnessed any spectacle of beggary, nor had he ever heard the name of God uttered to second an entreaty for alms. Here, however, all the lazars and the wretched in Rome were collected together; hundreds of young and old in that extreme of squalor, nakedness, and disease which affrights the English traveller in Italy, were seen on all sides; and their importunities and cries, for the love of God, and the mercy of Christ, to relieve them, thrilled in his ears, and smote upon his heart to such a degree, that his joints became as it were loosened, and his legs scarcely able to support him. Many of the beggars knew Mr. Robinson, and seeing him accompanied by a stranger, an Englishman, as they concluded the Artist to be from his appearance, surrounded them with confidence and clamours. * * * * *