It is obvious that people who live in a basement must look at life from
a different point of view from all others. The proudest of women in that
position must necessarily see it _de bas en haut_. The woman looking out
of the drawing-room or higher for the person she is expecting to see
gets more or less of a bird's-eye view. She sees the top of a hat first,
and the person necessarily foreshortened. From the dining-room or
ground-floor window she sees the approaching visitor through glass, but
practically on a level, almost face to face, and therefore is incapable
of judging him on the whole or of taking a very large view, since any
object placed close to the eye deprives one of a sense of
proportion--shuts out everything else. But from a basement window things
are very different. It is wonderful how much character one learns to see
in feet, and it is still more curious how, to the accustomed eye, their
expression can vary from time to time. Flora saw at a glance by the
obstinate stamp, the bad-tempered look of his boots, by the nervous
impatience of his stride, that Mr. Rathbone was coming to see her in a
state of agitation. One would hardly have believed that, without having
seen his face at all, she would be so prepared for his behaviour when he
arrived as to greet him anxiously from the door, even before he came in,
with "Good heavens, what _is_ the matter?"
"How do you know anything is the matter?"
"I guessed. I saw your steps."
"Everything is going wrong about the play. The expenses get larger every
day. To sell even _one_ ticket for a charity, they tell me, is simply
out of the question! I must invite everybody, and even then most of them
won't come. Just think, my dear Miss Luscombe, all this trouble, worry,
and expense for amateurs to play _Romeo and Juliet_ at an invitation
performance to an absolutely empty house!"
"Why do you think it will be empty?... Your friends?"
"My friends? You're my only friend! Every chap at the Club I have spoken
to about it said they would be out of town that day. One or two said
they would come on afterwards and join me at supper. Supper! I said it
was a _matinee_; so then they suggested I should give a dinner
afterwards. And even women, they're quite as bad. I mentioned it to Lady
Walmer. She is always so keen on going everywhere, and makes a hobby of
odd charities and things. She said she was going yachting that day, and
also that she was going to a wedding."
"What does it matter just about Lady Walmer?"
"Nothing, but it's an indication. Do we want to have no one in a theatre
but the dressmakers who made the costumes? Miss Luscombe--Flora! I am
beginning to think we'd better chuck it."
"Oh, Mr. Rathbone! The waste and the disappointment!"
"It would be a greater waste to make an utter fool of oneself in an
empty house than to postpone it. I'm nervous. I'm really frightened. I'm
beginning to see that I've been a fool. As to disappointment, _that_,
Flora, you could console me for if you chose."
Public-domain text, read in full here on John Shaqi.
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