England -- Fiction; Man-woman relationships -- Fiction; Mothers and daughters -- Fiction; Paris (France) -- Fiction; Women -- Fiction
At the back of the studio there sat another woman, so engloomed that no
detail of her could be distinguished.
"As I was saying," the tall upright woman resumed as soon as Miss Ingate
and Audrey had been introduced. "Betty Burke is in prison. She got six
weeks this morning. She may never come out again. Almost her last words
from the dock were that you, Miss Nickall, should be asked to go to London
to look after Mrs. Burke, and perhaps to take Betty's place in other ways.
She said that her mother preferred you to anybody else, and that she was
sure you would come. Shall you?"
The accents were very clear, the face was delicately smiling, the little
gestures had a quite tranquil quality. Rosamund did not seem to care
whether Miss Nickall obeyed the summons or not. She did not seem to care
about anything whatever except her own manner of existing. She was the
centre of Paris, and Paris was naught but a circumference for her. All
phenomena beyond the individuality of the woman were reduced to the
irrelevant and the negligible. It would have been absurd to mention to her
costume balls. The frost of her indifference would have wilted them into
nothingness.
"Yes, of course, I shall go," Nick answered.
"When?" was the implacable question.
"Oh! By the first train," said Nick eagerly. As she approached the lamp,
the gleam of the devotee could be seen in her gaze. In one moment she had
sacrificed Paris and art and Tommy and herself, and had risen to the sacred
ardour of a vocation. Rosamund was well accustomed to watching the process,
and she gave not the least sign of satisfaction or approval.
"I ought to tell you," she went on, "that I came over from London suddenly
by the afternoon service in order to escape arrest. I am now a political
refugee. Things have come to this pass. You will do well to leave by the
first train. That is why I decided to call here before going to bed."
"Where's Tommy?" asked Nick, appealing wildly to Miss Ingate and Audrey.
Upon being answered she said, still more wildly: "I must see her. Can
you--No, I'll run down myself." In the doorway she turned round: "Mrs.
Moncreiff, would you and Miss Ingate like to have my studio while I'm away?
I should just love you to. There's a very nice bed over there behind the
screen, and a fair sort of couch over here. Do say you will! _Do_!"
"Oh! We will!" Miss Ingate replied at once, reassuringly, as though in
haste to grant the supreme request of some condemned victim. And indeed
Miss Nickall appeared ready to burst into tears if she should be thwarted.
As soon as Nick had gone, Miss Ingate's smiling face, nervous, intimidated,
audacious, sardonic, and good humoured, moved out of the gloom nearer to
Rosamund.
"You knew I played the barrel organ all down Regent Street?" she ventured,
blushing.
"Ah!" murmured Rosamund, unmoved. "It was you who played the barrel-organ?
So it was."
Public-domain text, read in full here on John Shaqi.
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