England -- Social life and customs -- Fiction; Man-woman relationships -- Fiction; Short stories, English
"Ah--don't," she said, and her soft voice even here, even now, did not
miss its effect. "I _do_ like you very, very much--and--"
She had never failed. She did not fail now. Before they reached the town
he had formally forgiven her.
"I don't suppose you meant no harm," he said grudgingly; "though coming
from Kent you ought to know how it is about walking out with a chap. But
you say you didn't, and I'll believe you. But I shan't get over this,
this many a long day, so don't you make no mistake. Why, I ain't thought
o' nothing else but you ever since I first set eyes on you. There--don't
you cry no more. I can't abear to see you cry."
He was blinking himself.
Outside the town he stopped.
"Good-bye," he said. "I haven't got nothing agin you--but I wish to Lord
above I'd never seen you. I shan't never fancy no one else after you."
"Don't be unhappy," she said. And then she ought to have said good-bye.
But the devil we call the force of habit would not let her leave well
alone.
"I want to give you something," she said; "a keepsake, to show I shall
always be your friend. Will you call at the house where I'm staying this
evening at eight? I'll have it ready for you. Don't think too unkindly
of me! Will you come?"
He asked the address, and said "Yes." He wanted to see her--just once
again, and he would certainly like the keepsake.
She went home and looked out a beautiful book of Kentish photographs. It
was a wedding present, and she had brought it with her to solace her in
her exile by pictures of the home-land. Her unconscious thought was
something like this: "Poor fellow; poor, poor fellow! But he behaved
like a gentleman about it. I suppose there is something in the influence
of a sympathetic woman--I am glad I was a good influence."
She bathed her burning face, cooled it with soft powder, and slipped
into a tea-gown. It was a trousseau one of rich, heavy, yellow silk and
old lace and fur. She chose it because it was warm, and she was
shivering with agitation and misery. Then she went and sat with the old
nurse, and a few minutes before eight she ran out and stood by the front
door so as to open it before he should knock. She achieved this.
"Come in," she said, and led him into the lodging-house parlour and
closed the door.
"It was good of you to come," she said, taking the big, beautiful book
from the table. "This is what I want you to take, just to remind you
that we're friends."
She had forgotten the tea-gown. She was not conscious that the
accustomed suavity of line, the soft richness of texture influenced
voice, gait, smile, gesture. But they did. Her face was flushed after
her tears, and the powder, which she had forgotten to dust off, added
the last touch to her beauty.
He took the book, but he never even glanced at the silver and
tortoise-shell of its inlaid cover. He was looking at her, and his eyes
were covetous and angry.
"Are you an actress, or what?"
"No," she said, shrinking. "Why?"
Public-domain text, read in full here on John Shaqi.
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