The Literary Shop, and Other TalesFord, James L. (James Lauren)
General
The Literary Shop, and Other Tales
Ford, James L. (James Lauren)
American periodicals; Authorship -- Humor
Suddenly a tall form loomed up in the centre of a large group of
excited men. It was a master poet who had climbed up on some boxes to
address his comrades; and they grew quiet and closed in about him to
hear his words.
“Prosers, rhymesters, and dialectists,” exclaimed the master poet, “the
time has come for us to make a stand against the oppression of those
who call themselves our masters. The time has come for the men who toil
day after day in yonder tall factory to denounce the infamous system
by which they are defrauded of the greater part of their wretched
pittance. You know, of course, that I am speaking of the ruinous
competition of scab or non-union labor. See that cart!” he cried,
pointing to a square, one-horse vehicle, similar to those employed in
the delivery of coal, which had been backed up against the curb in
front of the factory.
“Do you know what that cart contains? See those men remove the iron
scuttle on the sidewalk, and listen to the roar and rumble as the cart
discharges its contents into the cellar beneath the pavement! Is that
coal they are putting in with which to feed the tireless engine that
furnishes motive power to the factory? No, my friends; that is a load
of jokes for the back page of _Harper’s Bazar_, collected from the
sweating-shops about Washington Square and Ninth Street. Do those jokes
bear the union label? They do not. Many of them, no doubt, are made by
Italians and Chinese, to the shame and degradation of our calling.”
The master poet’s words were received with a howl of rage that reached
the ears of the men who were closeted in the business office, and
brought a pallor to their stern, set faces.
“There is no time to be lost!” exclaimed one of the firm; “that yell
of defiance convinces me that any attempt to introduce non-union poets
would precipitate a riot. It will not be safe to do it unless we are
prepared for the worst.”
“For my part,” said Mr. Harry Harper, “I believe that it would be a
good policy for us to introduce machinery at once, and get rid of those
poets, who are forever making new demands on us. The _Century_ people
have had machines in operation for some time past, and have found them
very satisfactory. We must admit that a great deal of their poetry is
as good as our hand-made verses.”
“Do you know,” cried Mr. Alden, “that that Chicago machine they put in
some time ago is simply one of Armour’s old sausage-mills remodeled? It
is the invention of a man named Fuller, who two years ago was merely an
able-bodied workman in the serial shops. It is really a very ingenious
piece of mechanism, and when you think that they throw a quantity of
hoofs, hair, and other waste particles from the Chicago stock-yards
into a hopper, and convert them into a French or Italian serial story
of firm, fine texture--well, making a silk purse out of a sow’s ear is
nothing to it.”
Public-domain text, read in full here on John Shaqi.
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