The literature of the Highlanders : $b a history of Gaelic literature from the earliest times to the present dayMacNeill, Nigel
History
The literature of the Highlanders : $b a history of Gaelic literature from the earliest times to the present day
MacNeill, Nigel
Scottish Gaelic literature -- History and criticism
Some of these devotional compositions are as old as the fourth
century, such as the “Hymnum dicat” ascribed to Hilary, and the
“Mediæ noctis,” ascribed to the famous Ambrose of Milan. The
“Audite Omnes” was composed by Sechnall, the nephew of Patrick,
towards the close of the fifth century, in praise of the Irish
apostle. This piece, rather a poem than a hymn, bears to have been
written “in Domhnach Sechnaill,” (now Dunshaughlin in Meath), by
the St. Sechnall, or Secundinus, who was a son of Patrick’s sister,
“by her husband _Restitutus_” of the “Longobards of Leatha.” The
superscription reminds us of the fact that the Scots and the Gaidels
were the same people, whether found in Ireland or parts of Britain.
It runs thus: “Incipit Ymnus sancti Patricii episcopi Scotorum.”
(“The hymn beginning, St. Patrick, Bishop of the Scots.”) The
following note on it occurs in the “Leabhar Breac”: “Tempus autem.”
(“But the time”);—viz: “when Leogaire, son of Niall, was King of
Eirinn came to praise Patrick. Sechnall said to Patrick, ‘When shall
I make a hymn of praise for thee?’ Patrick said, ‘I desire not to be
so praised during my life.’ Sechnall answered, ‘Non interrogavi utrum
faciam, sed quando faciam.’ (‘I did not ask whether I should do it,
but when’). Patrick said, ‘Si facias venit tempus.’ (‘If you do it,
the time has come’)—i.e. because Patrick knew that the time of his
(Sechnall’s) death was at hand.” In the third verse we have the old
Scottic interpretation of the famous passage in Matthew on which St.
Peter’s chair is founded:—
“Constans in Dei timore
Et fide immobilis
Super quem aedificatur
Ut Petrum Ecclesia.”
“Constant in the fear of God, and immovable in faith, upon him as
upon a Peter is built a Church.”
The student of these ancient writings is surprised to find the
modern Irish persist in making Patrick a Frenchman. In the “Leabhar
Breac” the following note, as decisive of his nationality, occurs in
connection with this hymn. “Patraic umorro do bretnaibh h ercluaide
a bunadus.” “Now Patrick in his origin was of the Britons of
Er-Cluaide”—i.e. of the Strathclyde Britons, among whom his name has
found its topographical monument in Kilpatrick, as already pointed
out.
Public-domain text, read in full here on John Shaqi.
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