Indic drama; Sanskrit drama -- Translations into English
_Chārudatta._ What! did she not accept the necklace?
_Maitreya._ How could we expect such a piece of luck? She put
her lotus-tender hands to her brow,[62] and took it.
_Chārudatta._ Then why do you say "went wrong"?
_Maitreya._ Why not, when we lost a necklace that was the pride
of the four seas for a cheap golden casket, that was stolen before
we had a bite or a drink out of it?
_Chārudatta._ Not so, my friend.
She showed her trust in leaving us her treasure;
The price of confidence has no less measure. 7
_Maitreya._ Now look here! I have a second grievance. She tipped
her friend the wink, covered her face with the hem of her dress,
and laughed at me. And so, Brahman though I am, I hereby fall
on my face before you and beg you not to have anything more
to do with this courtezan. That sort of society does any amount
of damage. A courtezan is like a pebble in your shoe. It hurts
before you get rid of it. And one thing more, my friend. A courtezan,
an elephant, a scribe, a mendicant friar, a swindler, and an
ass--where these dwell, not even rogues are born.
_Chārudatta._ Oh, my friend, a truce to all your detraction! My
poverty of itself prevents me. For consider:
The horse would gladly hasten here and there,
But his legs fail him, for his breath departs.
So men's vain wishes wander everywhere,
Then, weary grown, return into their hearts. 8
Then too, my friend:
If wealth is thine, the maid is thine,
For maids are won by gold;
[_Aside._ And not by virtue cold. _Aloud._]
But wealth is now no longer mine,
And her I may not hold. 9
[78.23. S.
_Maitreya._ [_Looks down. Aside._] From the way he looks up and
sighs, I conclude that my effort to distract him has simply increased
his longing. The proverb is right. "You can't reason with
a lover." [_Aloud._] Well, she told me to tell you that she would
have to come here this evening. I suppose she isn't satisfied with
the necklace and is coming to look for something else.
_Chārudatta._ Let her come, my friend. She shall not depart unsatisfied.
[_Enter Kumbhīlaka._]
_Kumbhīlaka._ Listen, good people.
The more it rains in sheets,
The more my skin gets wet;
The more the cold wind beats,
The more I shake and fret. 10
[_He bursts out laughing._]
I make the sweet flute speak from seven holes,
I make the loud lute speak on seven strings;
In singing, I essay the donkey's rôles:
No god can match my music when he sings. 11
Public-domain text, read in full here on John Shaqi.
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