"Oh, nothing in that direction, Ernestine. Just as nice girls as you
have tried to hook Evan Graham before now. And, between ourselves, I
couldn't blame them. But he's had good wind and fast legs, and they've
always failed to run him down or get him into a corner, where, dazed
and breathless, he's mechanically muttered 'Yes' to certain
interrogatories and come out of the trance to find himself, roped,
thrown, branded, and married. Forget him, Ernestine. Stick by golden
youth and let it drop its golden apples. Pick them up, and golden youth
with them, making a noise like stupid failure all the time you are
snaring swift-legged youth. But Graham's out of the running. He's old
like me--just about the same age--and, like me, he's run a lot of those
queer races. He knows how to make a get-away. He's been cut by barbed
wire, nose-twitched, neck-burnt, cinched to a fare-you-well, and he
remains subdued but uncatchable. He doesn't care for young things. In
fact, you may charge him with being wobbly, but I plead guilty, by
proxy, that he is merely old, hard bitten, and very wise."
CHAPTER IX
"Where's my Boy in Breeches?" Dick shouted, stamping with jingling
spurs through the Big House in quest of its Little Lady.
He came to the door that gave entrance to her long wing. It was a door
without a knob, a huge panel of wood in a wood-paneled wall. But Dick
shared the secret of the hidden spring with his wife, pressed the
spring, and the door swung wide.
"Where's my Boy in Breeches?" he called and stamped down the length of
her quarters.
A glance into the bathroom, with its sunken Roman bath and descending
marble steps, was fruitless, as were the glances he sent into Paula's
wardrobe room and dressing room. He passed the short, broad stairway
that led to her empty window-seat divan in what she called her Juliet
Tower, and thrilled at sight of an orderly disarray of filmy, pretty,
lacy woman's things that he knew she had spread out for her own
sensuous delight of contemplation. He fetched up for a moment at a
drawing easel, his reiterant cry checked on his lips, and threw a laugh
of recognition and appreciation at the sketch, just outlined, of an
awkward, big-boned, knobby, weanling colt caught in the act of madly
whinneying for its mother.
"Where's my Boy in Breeches?" he shouted before him, out to the
sleeping porch; and found only a demure, brow-troubled Chinese woman of
thirty, who smiled self-effacing embarrassment into his eyes.
Public-domain text, read in full here on John Shaqi.
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