"Over there are the fish ponds," Dick said, indicating with a nod of
his head to the right an invisible area beyond the lilacs. "You'll have
plenty of opportunity to catch a mess of trout, or bass, or even
catfish. You see, I'm a miser. I love to make things work. There may be
a justification for the eight-hour labor day, but I make the work-day
of water just twenty-four hours' long. The ponds are in series,
according to the nature of the fish. But the water starts working up in
the mountains. It irrigates a score of mountain meadows before it makes
the plunge and is clarified to crystal clearness in the next few rugged
miles; and at the plunge from the highlands it generates half the power
and all the lighting used on the ranch. Then it sub-irrigates lower
levels, flows in here to the fish ponds, and runs out and irrigates
miles of alfalfa farther on. And, believe me, if by that time it hadn't
reached the flat of the Sacramento, I'd be pumping out the drainage for
more irrigation."
"Man, man," Graham laughed, "you could make a poem on the wonder of
water. I've met fire-worshipers, but you're the first real
water-worshiper I've ever encountered. And you're no desert-dweller,
either. You live in a land of water--pardon the bull--but, as I was
saying..."
Graham never completed his thought. From the right, not far away, came
the unmistakable ring of shod hoofs on concrete, followed by a mighty
splash and an outburst of women's cries and laughter. Quickly the cries
turned to alarm, accompanied by the sounds of a prodigious splashing
and floundering as of some huge, drowning beast. Dick bent his head and
leaped his horse through the lilacs, Graham, on Altadena, followed at
his heels. They emerged in a blaze of sunshine, on an open space among
the trees, and Graham came upon as unexpected a picture as he had ever
chanced upon in his life.
Tree-surrounded, the heart of the open space was a tank, four-sided of
concrete. The upper end of the tank, full width, was a broad spillway,
sheened with an inch of smooth-slipping water. The sides were
perpendicular. The lower end, roughly corrugated, sloped out gently to
solid footing. Here, in distress that was consternation, and in fear
that was panic, excitedly bobbed up and down a cowboy in bearskin
chaps, vacuously repeating the exclamation, "Oh God! Oh God!"--the
first division of it rising in inflection, the second division
inflected fallingly with despair. On the edge of the farther side,
facing him, in bathing suits, legs dangling toward the water, sat three
terrified nymphs.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account