The Little Red FootChambers, Robert W. (Robert William)
History
The Little Red Foot
Chambers, Robert W. (Robert William)
New York (State) -- History -- Revolution, 1775-1783 -- Fiction
I thought of Stevie Watts, of Polly, of the DeLancys, Crugers, and other
King's people who had made me welcome, doubtless for the sake of my Lord
Stormont. And how I finally came to know Sir William Johnson, and his
great kindness to me.
All these things I thought of in the golden afternoon, seated by Hans
Creek, my eyes on duty, my thoughts a-gypsying far afield, where I saw,
in my mind's eye, my log house in Fonda's Bush, my new-cleared land, my
neighbors' houses, the dark walls of the forest.
Yet, drifting between each separate memory, glided ever a slender shape
with yellow hair, and young, unfathomed eyes as dark as the velvet on
the wings of that earliest of all our butterflies, which we call the
Beauty of Camberwell.
Think of whom I might, or of what scenes, always this slim phantom
drifted in between the sequences of thought, and vaguely I seemed to see
her yellow hair, and that glimmer which sometimes came into her eyes,
and which was the lovely dawning of her smile.
War seemed very far away, death but a fireside story half forgotten. For
my thoughts were growing faintly fragrant with the scent of apple
blossoms--white and pink bloom--sweet as her breath when she had
whispered to me.
A strange young thing to haunt me with her fragrance--this girl
Penelope--her smooth hands and snowy skin--and her little naked feet,
like whitest silver there in the dew at Bowman's----
Suddenly, thought froze; from the foliage across the creek, scarce
twenty feet from where I sat, and without the slightest sound, stepped
an Indian in his paint.
Like a shot squirrel I dropped behind my bowlder and lay flat among the
shore ferns, my heart so wild that my levelled rifle shook with the
shock of palsy.
The roar of the waters was loud in my ears, but his calm voice came
through it distinctly:
"Peace, brother!" he said in the soft, Oneida dialect, and lifted his
right hand high in the sunshine, the open palm turned toward me.
"Don't move!" I called across the stream. "Lay your blanket on the
ground and place your gun across it!"
Calmly he obeyed, then straightened up and stood there empty handed,
naked in his paint, except for the beaded breadth of deer-skin that fell
from belt to knee.
"Nick!" I called cautiously.
"I am awake and I have laid him over my rifle-sight," came Nick's voice
from the woods behind me. "Look sharp, John, that there be not others
ambuscaded along the bank."
"He could have killed me," said I, "without showing himself. By his
paint I take him for an Oneida."
"That's Oneida paint," replied Nick, cautiously, "but it's war paint,
all the same. Shall I let him have it?"
"Not yet. The Oneidas, so far, have been friendly. For God's sake, be
careful what you do."
"Best parley quick then," returned Nick, "for I trust no Iroquois. You
know his lingo. Speak to him."
Public-domain text, read in full here on John Shaqi.
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