The Little Regiment, and Other Episodes of the American Civil WarCrane, Stephen
History
The Little Regiment, and Other Episodes of the American Civil War
Crane, Stephen
United States -- History -- Civil War, 1861-1865 -- Fiction; War stories, American
"Well, gimme time, can't yeh?" said the major, in a growl. And, as if to
add more to this reproach, he climbed the fence that compassed the
woods, looking resentfully back at his companion.
"Well," said Peter, when the major paused.
The major stepped down upon the thick carpet of brown leaves that
stretched under the trees. He turned then to whisper, "You wait here,
will yeh?" His face was red with determination.
"Well, hol' on a minnet!" said Peter. "You--I--we'd better----"
"No," said the major. "You wait here."
He went stealthily into the thickets. Peter watched him until he grew to
be a vague, slow-moving shadow. From time to time he could hear the
leaves crackle and twigs snap under the major's awkward tread. Peter,
intent, breathless, waited for the peal of sudden tragedy. Finally, the
woods grew silent in a solemn and impressive hush that caused Peter to
feel the thumping of his heart. He began to look about him to make sure
that nothing should spring upon him from the sombre shadows. He
scrutinized this cool gloom before him, and at times he thought he could
perceive the moving of swift silent shapes. He concluded that he had
better go back and try to muster some assistance to the major.
As Peter came through the corn, the women in the road caught sight of
the glittering figure and screamed. Many of them began to run. The
little boys, with all their valour, scurried away in clouds. Mrs. Joe
Peterson, however, cast a glance over her shoulders as she, with her
skirts gathered up, was running as best she could. She instantly stopped
and, in tones of deepest scorn, called out to the others, "Why, it's
on'y Pete Witheby!" They came faltering back then, those who had been
naturally swiftest in the race avoiding the eyes of those whose limbs
had enabled them to flee a short distance.
Peter came rapidly, appreciating the glances of vivid interest in the
eyes of the women. To their lightning-like questions, which hit all
sides of the episode, he opposed a new tranquillity gained from his
sudden ascent in importance. He made no answer to their clamour. When he
had reached the top of the fence, he called out commandingly: "Here you,
Johnnie, you and George, run an' git my gun! It's hangin' on th' pegs
over th' bench in th' shop."
At this terrible sentence, a shuddering cry broke from the women. The
boys named sped down the road, accompanied by a retinue of envious
companions.
Peter swung his legs over the rail and faced the woods again. He twisted
his head once to say: "Keep still, can't yeh? Quit scufflin' aroun'!"
They could see by his manner that this was a supreme moment. The group
became motionless and still. Later, Peter turned to say, "S-s-sh!" to a
restless boy, and the air with which he said it smote them all with awe.
Public-domain text, read in full here on John Shaqi.
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