The Little Review, December 1914 (Vol. 1, No. 9)Various
General
The Little Review, December 1914 (Vol. 1, No. 9)
Various
Literature, Modern -- 20th century -- Periodicals
And the drops of winter rain,
In the grave where he is lain
Drip and drip, and sting like pain,
Till my love grows live again,
Life of mine!
Home as an Emotional Adventure
MARGARET C. ANDERSON
I was going Home!
It was seven o’clock on a clear, cold, snowless night in December—the
ideal night for a journey. Behind me, Chicago:—noise, jangle, rush, and
dirt; great crowds of people; a hall room of agonizing ugliness, with
walks of a green tone that produces a sort of savage mental biliousness
and furniture of striped oak that makes you pray for destruction by
fire; frayed rugs the color of cold dishwater and painted woodwork that
peels off like a healing sore; smells of impromptu laundry work, and
dust that sticks like a hopeful creditor; an outlook of bare brick
walls, and air through the window that should have been put through a
sieve before entering. All these—and one thing more which makes them as
nothing: the huge glory of accomplishment.
Before me?... It was snowing hard as we steamed in. There came a
clanging of brakes, a cold blast of snowy air through the opened doors,
a rush of expectant people; and then, shining in the glow of a
flickering station light, one of the loveliest faces I’ve ever seen—my
sister’s,—and one of the noblest—my “Dad’s.” Then a whirring taxi, a
luxurious adjustment to comfort in its dark depths, a confusion of “So
_glad_ you’re here,” and “Mother’s waiting at home”; a surging of all my
appreciation at the beauty of young Betty, with her rich furs and
stunningly simple hat and exquisitely untouched face; a long dash
through familiar streets until we reached the more open spaces—the
Country Club district where there are only a few homes and a great
expanse of park and trees; and finally a snorting and jerking as we drew
up before a white house from which lights were shining.
Now this little house is all white, with green shutters and shingles,
with a small formal entrance porch, like a Wallace Nutting print, in
front, and a large white-pillared, glass-enclosed living-porch on one
side. A red brick walk of the New England type leads up to it, and great
trees stand like sentinels at the back. On a winter night, when the red
walk and the terrace are covered with soft snow, when the little cedar
trees massed around the entrance sparkle with icy frost, when the warm
light from the windows touches the whiteness with an amethyst
radiance—well, it’s the kind of house that all good dreamers sometimes
have the reward of dreaming about. And when Mother opened the door,
letting out another stream of light and showing her there against the
warm red background of the hall, I was convinced that getting home was
like being invited to paradise.
Public-domain text, read in full here on John Shaqi.
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