The Women We Marry, by Arthur Stanwood Pier. [The Century Company, New York.] One of the most amateurish attempts to meet the modern demand for sex stories that we have seen. A Child of the Orient, by Demetra Vaka. [Houghton Mifflin Company, New York.] A blend of Greek poetry and Turkish conquest and American progress in autobiographical form, by the Greek woman who wrote Haremlik. Anybody but Anne, by Carolyn Wells. [J. B. Lippincott Company, Philadelphia.] A mystery story of which the most fascinating feature is the architect's plan of the house in which it takes place. The Flower-Finder, by George Lincoln Walton; with frontispiece by W. H. Stedman and photographs by Henry Troth. [J. B. Lippincott Company, Philadelphia.] Worth owning if merely for the end-papers which literally lead you into a spring woods. A comprehensive pocket guide to wild flowers. Prisons and Prisoners: Personal Experiences of Constance Lytton and Jane Warton, Spinster. [George H. Doran Company, New York.] As Lady Lytton, an enthusiastic convert to militant suffrage, the author received courteous treatment in prison; disguised successfully as a middle-class old maid she was handled shamefully. Everyone who doubts the martyrdom or the intrepidity of the suffragettes ought to read this record. Women as World Builders, by Floyd Dell. [Forbes and Company, Chicago.] Birdseye views of the feminist movement by a literary aviator whose cleverly-composed snapshots actually justify his cocksure audacity. Women and Morality, by a mother, a father, and a woman. [The Laurentian Publishers, Chicago.] Men and immorality discussed bravely by two women and a man, without the artistic justification of "getting anywhere." Karen Borneman and Lynggaard & Co., by Hjalmar Bergström, translated from the Danish by Edwin Björkman; The Gods of the Mountain, The Golden Doom, King Argimenes and the Unknown Warrior, The Glittering Gate, and The Lost Silk Hat, by Lord Dunsany; Peer Gynt, by Henrik Ibsen, with introduction by R. Ellis Roberts. [Mitchell Kennerley, New York.] New volumes in The Modern Drama Series. What Is It All About? A Sketch of the New Movement in the Theatre, by Henry Blackman Sell. [The Laurentian Publishers, Chicago.] The "art theatre" is explained illuminatingly for those who are vague about the movement. Condensed, to the point, and really informing. The Beginning of Grand Opera in Chicago (1850-1859), by Karleton Hackett. [The Laurentian Publishers, Chicago.] Mr. Hackett is a man of ideas and he might have written an interesting book by taking "grand opera in Chicago" as his theme. Instead, he has done a hack job with its early history and been given the distinction of tasteful binding and printing.