The Little Review, October 1914 (Vol. 1, No. 7)Various
General
The Little Review, October 1914 (Vol. 1, No. 7)
Various
Literature, Modern -- 20th century -- Periodicals
There are nine stories of varying length in the present volume. They
take you to the corners of the earth--London, Damascus, Spain, the West
Indies, the high seas, Central America--and their spirit is well
suggested in the title of the collection--_La Vida Es Sueno_. Truly they
are such stuff as dreams are made of. Curle's feeling for the colorful
word, the precise phrase is remarkable; in a moment one feels almost
bodily transported to a strange and fascinating land. And then the story
is unfolded--for these are real stories and never mere impressionistic
sketches. They may not be about the sort of people you are likely to
number among your friends, but they are about very human folk just the
same. They have a subtlety that is never too involved and an engaging
frankness which is one of Curle's greatest charms.
_Old Hoskyns_, almost homely in its simplicity, is a very touching tale.
_Going Home_ is an exquisite bit of irony. _The Look Out Man_--slight
though it is--is profoundly tragic. In _A Remittance Man_, little by
little, like a mosaic, a shrewd, penetrating, and very convincing
picture is built up of a man who has lost his grip on life. And so they
go--Curle knows the people of his tales so well! He is careful never to
tell you too much about them--there is ample opportunity after each
narrative for pleasant speculation--but one never feels that the real
story he set out to tell has not been fully told.
It is equally important that Curle knows intimately the places he
chooses as settings for his stories. Most of this knowledge he has
gained in his amazingly extensive travels. Aside from North America he
has visited almost every corner of the earth. And yet it is none the
less very remarkable--this curious ability to paint atmosphere--a talent
not too often associated with those who write in English. Conrad has it,
and the greater continental writers--and Curle has studied them to
advantage. I should have myself to possess this same ability to make you
realize the peculiar fascination of such a story as _The Emerald
Seeker_. It is a fine and thrilling yarn; no matter that--there are many
who can tell a rattling tale. But I doubt if any could approach Curle's
masterly sketching of his milieu--a page or two, and in a very real
sense you feel yourself in the heart of tropical Central America.
Finally and best of all, you know that the color is never there merely
for its own sake; there is always a real story to be told and to its
telling the background merely adds distinction. It is difficult--trying
to show the peculiar charm and interest of Curle's work. But once you
read him, it becomes very apparent.
Public-domain text, read in full here on John Shaqi.
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