Owners: (If a corporation, give its name and the names and addresses of stockholders holding 1 per cent or more of total amount of stock. If not a corporation, give names and addresses of individual owners.) _Margaret C. Anderson_ _834 Fine Arts Building, Chicago_ Known bondholders, mortgagees, and other security holders, holding 1 per cent or more of total amount of bonds, mortgages, or other securities: _None_ _MARGARET C. ANDERSON_, Sworn to and subscribed before me this _23rd_ day of _Sept., 1915_. _MITCHELL DAWSON, Notary Public._ (My commission expires _December 20, 1917_.) THE DRAMA for August Contained This Interesting Material A LETTER CONCERNING AUGIER, by _Eugene Brieux_ 353 THE MARRIAGE OF OLYMPE, by _Emile Augier_ 358 EMILE AUGIER, by _Barrett Clark_ 440 PARSEE DRAMA, by _George Cecil_ 459 THE EVOLUTION OF THE ACTOR, by _Arthur Pollock_ 468 FRANK WEDEKIND, by _Frances Fay_ 479 DEPERSONALIZING THE INSTRUMENTS OF THE DRAMA, by _Huntley 495 Carter_ JAMES SHIRLEY, DRAMATIST, a review by _Charlton Andrews_ 506 PLAYING HAMLET AS SHAKESPEARE STAGED IT IN 1601, by _Charlotte 511 Porter_ CHIEF CONTEMPORARY DRAMATISTS, a review by _Alfred K. Eddy_ 527 THE SHAKESPEARE TERCENTENARY, _Percival Chubb_ 531 RECENT MAGAZINE ARTICLES ON THE DRAMA 537 A SELECTIVE LIST OF ESSAYS AND BOOKS ABOUT THE THEATRE AND OF 538 PLAYS published during the second quarter of 1915, compiled by _Frank Chouteau Brown_ _The Drama_ for November will be a notable number. Rabindranath Tagore will contribute an article on the stage that crystallizes much of the present diverse generalization, especially in discussions of stagecraft. Julius Brouta, perhaps the most celebrated drama critic of Spain, will write of the work of Benavente, a brilliant Spanish playwright of today. A puppet play of Benavente, the popular _Los Interessos Creados_, will be printed in its entirety. _The New Stage Art in its Relation to Drama_ will be considered from a new point of view by Alice Corbin Henderson. The articles begun in the present number, _Playing Hamlet as Shakespeare Staged It in 1601_, by Charlotte Porter, and _The Evolution of the Actor_, by Arthur Pollock, will be concluded.