The Lives of the Poets of Great Britain and Ireland (1753) Volume I.Cibber, Theophilus
General
The Lives of the Poets of Great Britain and Ireland (1753) Volume I.
Cibber, Theophilus
Poets, English -- Biography -- Early works to 1800; Poets, Irish -- Biography -- Early works to 1800
The original of every
knight was then living in the court of Queen Elizabeth; and he
attributed to each of them that virtue which he thought was most
conspicuous in them; an ingenious piece of flattery, tho' it turned
not much to his account. Had he lived to finish his poem in the
remaining legends, it had certainly been more of a piece; but could
not have been perfect because the model was not true. But prince
Arthur, or his chief patron Sir Philip Sidney, dying before him,
deprived the poet both of means and spirit to accomplish his design.
For the rest, his obsolete language, and ill choice of his stanza, are
faults both of the second magnitude; for notwithstanding the first, he
is still intelligible, at least after a little practice, and for
the last he is more to be admired, that labouring under such
disadvantages, his verses are so numerous, so various, and so
harmonious, that only Virgil, whom he has professedly imitated, has
surpassed him among the Romans, and only Waller among the English."
Mr. Hughes in his essay on allegorical poetry prefixed to Spenser's
works, tells us, that this poem is conceived, wrought up, and coloured
with stronger fancy, and discovers more the particular genius of
Spenser, than any of his other writings; and having observed that
Spenser in a letter to Sir Walter Raleigh calls it, a continued
allegory, or dark conceit, he gives us some remarks on allegorical
poetry in general, defining allegory to be a fable or story, in which,
under imaginary persons or things, is shadowed some real action or
instructive moral, or as I think, says he, it is somewhere very
shortly defined by. Plutarch; it is that, in which one thing is,
related, and another thing understood; it is a kind of poetical
picture, or hieroglyphick, which by its apt resemblance, conveys
instruction to the mind, by an analogy to the senses, and so amuses
the fancy while it informs the understanding. Every allegory has
therefore two senses, the literal and mystical, the literal sense
is like a dream or vision, of which the mystical sense is the true
meaning, or interpretation. This will be more clearly apprehended
by considering, that as a simile is a more extended metaphor, so
an allegory is a kind of continued simile, or an assemblage of
similitudes drawn out at full length.
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