The London Mercury, Vol. I, Nos. 1-6, November 1919 to April 1920Various
General
The London Mercury, Vol. I, Nos. 1-6, November 1919 to April 1920
Various
English literature -- Periodicals; London (England) -- Periodicals
When a realist loses hold on reality all is lost, and I for one can
find not a word to say in favour of _Daniel Deronda_, her next and last
novel, which came out, with popularity at first more wonderful than
ever, in 1876. But her inner circle of admirers was beginning to ask
one another uneasily whether her method was not now too calculated,
her effects too plainly premeditated. The intensity of her early works
was gone. Readers began to resent her pedantry, her elaboration of
allusions, her loss of simplicity. They missed the vivid rural scenes
and the flashes of delicious humour which had starred the serious
pages of _Adam Bede_ and _The Mill_ like the lemon-yellow pansies
and potentillas on a dark Welsh moor. Then came _Theophrastus Such_,
a collection of cumbrous and didactic essays which defy perusal;
and finally, soon after her death, her _Correspondence_, a terrible
disappointment to all her admirers, and a blow from which even the
worship of Lord Acton never recovered. Of George Eliot might have been
repeated Swift's epitaph on Sir John Vanbrugh:
Lie heavy on him, earth, for he
Laid many a heavy load on thee.
It was the fatal error of George Eliot, so admirable, so elevated, so
disinterested, that for the last ten years of her brief literary life
she did practically nothing but lay heavy loads on literature.
On the whole, then, it is not possible to regard the place which
George Eliot holds in English literature as so prominent a one as
was rather rashly awarded her by her infatuated contemporaries. It
is the inevitable result of "tall talk" about Dante and Goethe that
the figure so unduly magnified fails to support such comparisons when
the perspective is lengthened. George Eliot is unduly neglected now,
but it is the revenge of time on her for the praise expended upon her
works in her life-time. Another matter which militates against her
fame to-day is her strenuous solemnity. One of the philosophers who
knelt at the footsteps of her throne said that she was "the emblem
of a generation distracted between the intense need of believing and
the difficulty of belief." Well, we happen to live, fortunately or
unfortunately for ourselves, in a generation which is "distracted" by
quite other problems, and we are sheep that look up to George Eliot
and are not fed by her ponderous moral aphorisms and didactic ethical
influence. Perhaps another generation will follow us which will be more
patient, and students yet unborn will read her gladly. Let us never
forget, however, that she worked with all her heart in a spirit of
perfect honesty, that she brought a vast intelligence to the service of
literature, and that she aimed from first to last at the loftiest goal
of intellectual ambition. Where she failed, it was principally from an
inborn lack of charm, not from anything ignoble or impure in her mental
disposition. After all, to have added to the slender body of English
Public-domain text, read in full here on John Shaqi.
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