Wiggie had got his wish--Dandy all to himself--but he did not say
anything for quite a long time. Instead, he came as if by accident
to the piano, and though he played nothing coherent, he drew out
funny little bunches and ripples of sound that somehow made the cool
room seem cooler. Now and again he glanced at Dandy, sitting on her
favourite stool with her head bent. She was changed already, he
thought, and she was only too obviously not thinking of him. She had
lost a little of her Halsted brilliance; she was a shade thinner, a
shade dimmed, as if some new power had breathed a moment on her soul.
Wiggie turned his eyes away when he thought that. His own soul was full
of delicate little instincts like the dainty grace-notes tripping under
his touch.
Dandy was thinking of Lancaster, and wondering why she had felt pleased
when he laughed. Was it because in that instant he had ceased to be
aloof? Yet how alien he really found her! There was the whole network
of outlook between them. More than anybody else he had made her feel
“new.”
Wiggie stopped playing bunches and began to whisper a desperate French
appeal--
“Ma chandelle est morte,
Je n’ai plus de feu:
Ouvre-moi la porte,
Pour l’amour de Dieu!”
Dandy said “Don’t!” quite suddenly, without in the least meaning to,
and, without in the least meaning to, he got up and came to her.
“Are you hankering to help the tram-horse, too?” he asked, and she
lifted her eyes with a laugh.
“Nothing so unselfish, Wiggie dear! But that song always makes me
shiver. The door is so fast and so hard. It is bolted and barred, with
iron knobs as big as mushrooms, and nothing gets under it but the
draught of one’s sighing.”
“_My_ door isn’t like that!” Wiggie said quickly. “It’s as fine as
thistledown and as thin as air, but it keeps you out all the same. You
can see through it all the dearness within, but--it keeps you out! If
it were hard, you could hammer the ache out of your heart, and lay your
cheek against the mushroom knobs for pity. But you cannot bruise your
fists on gossamer, and the web of it blows weakly pitiless against your
cheek.”
“But it’s not for you to hammer at doors,” he added presently. “They
fly open all along your road!”
She shook her head doubtfully.
“I’ve a feeling I may come to it before I’m through!” she said
whimsically. “I can see myself in the dust and the dark, hugging a dead
candle, and begging, begging----”
He stopped her with a gesture.
“Don’t cheapen yourself! Don’t stand at the door like the milk. The
golden drink should be kept for the golden chalice.”
“Why, Wiggie, what snobbish butlerage! It is the stone jar that makes
the beauty of the miracle. Watters has taught me that.”
He took her hands.
“But for me even Cherith’s brook is dried up,--Dandy dear?”
Her lips quivered.
“Don’t quote Elijah into my mouth, Cyril!”
He let her fingers slip,--not abruptly, but with a lingering touch that
left no sense of desolation.
Public-domain text, read in full here on John Shaqi.
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