THE old woman Gunthai had nothing but a past over which she brooded and
a son upon whom she doted. Had she been able to write the latter in the
letters of that tongue which came to the prairie many moons after her
death, breaking with syllables of magic the spell of the centuries,
she would have written it with a “u”; for her son was as the day to
her; his coming was the morning and his going was the sunset. When he
laughed, there was summer in the wretched little tepee; when he cried,
the snows drifted about the mother-heart.
Winter and summer the old woman sat in her lodge, her back bent with
the burdens of many seasons and her face seamed with many memories; yet
stern and expressionless as of one who has followed a long trail and
cannot see its end though the sun be falling.
All day she would sit in her lodge, weaving baskets of willow, which
she exchanged with her tribesmen for meat and robes; for the father
of her child was dead. Her little boy, whom she tenderly called Nu
Zhinga (Little Man), would lie long hours before her with his chin
resting upon his little brown hands, watching the fingers of his mother
weave the pliant twigs into form with marvellous skill, as it seemed
to him; and often when the hours crept lamely, he would sing to her
a monotonous song like the wind’s, timing the irregular air with the
beating of his toes upon the floor.
And when the little singer would cease, the old woman Gunthai often
forgot the unwoven basket with gazing into his big black eyes, for in
them her hope could read great deeds that were to be done after many
unborn moons had waned.
Then she would tell him tales of his father; tales that were loud with
the snarl of war drums, the twang of bow thongs, the shriek of arrows,
the beat of hoofs! But there was no responsive glitter in the eyes of
the boy; his heart was not the warrior’s, and the old mother seeing
this, sighed and fell to work with nervous haste.
And the days of sun and snow wove themselves into years, until Nu
Zhinga had reached that time when boyhood begins to deepen into
manhood; and yet as the mother looked upon her son, she found him
scarcely taller than a weak man’s bow.
His legs were short and bowed, his hips narrow, and upon shoulders of
abnormal breadth sat his monstrous, shaggy head. It was as if he were
the visible body of a black spirit’s joke, save for his lustrous eyes,
that were like two stars that burn big in the air of evening through a
film of mist.
And thus it was that when Nu Zhinga passed through the village, those
who were still foolish with youth jeered at the lad, calling his name
in contempt; but the old men and women who had grown wise, only shook
their heads and pitied Gunthai in silence.
Public-domain text, read in full here on John Shaqi.
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