The Long Day: The Story of a New York Working Girl, as Told by HerselfRichardson, Dorothy
History
The Long Day: The Story of a New York Working Girl, as Told by Herself
Richardson, Dorothy
Women -- Employment -- New York (State) -- New York -- History -- Sources
It was a shabby carnival of nations that jostled one another at this
windy corner--Italian, Spanish, German, Slav, Jew, Greek, with a
preponderance of Irish and "free-born" Americans. The general air was
one of unwonted happiness and freedom. The atmosphere of holiday liberty
was vibrant with the expectation of Saturday-night abandon to fun and
frolic or wild carousal.
For "the ghost had walked" through the workaday world that day, and
everybody had his "envelop" in his pocket. It is a pleasant sensation to
feel the stiff-cornered envelop tucked safely away in your vest pocket,
or in the depths of your stocking, where Henrietta had hidden hers safe
out of the reach of the wily pickpocket, who, she told me, was lurking
at every corner and sneaking through every crowd on that Saturday
evening, which was also Easter Eve.
Easter Eve! I had almost forgotten the fact which accounted for this
more than usual activity on the part of the hurrying crowds, and for the
unmistakable holiday air which Bleecker Street displayed. As far as we
could see, lined up on both sides of the curb were the pushcart
peddlers, and at every step a sidewalk fakir, all crying their Easter
wares.
Henrietta lingered first about one pushcart, then about another, opening
her gaudy side-bag, then shutting it resolutely and marching on,
determined not to succumb to the temptation to squander her hard-earned
pennies. She succeeded admirably until we came upon a picturesque
Italian and his wife who were doing a flourishing business from a
pushcart piled high with sacred images. Henrietta showed a lively
interest in the cut prices at which they were going: ten cents for St.
Peter in a scarlet robe and golden sandals; fifteen cents for St. John
in purple; and only twenty-five for the Blessed Virgin in flowing blue
clasping the Holy Babe.
They were "dirt-cheap," Henrietta declared, as we watched the plaster
casts pass over the heads of the crowd, out of which by and by emerged
our shopmate, little Angela, clasping a Madonna under her arm and
counting her change.
The three of us resumed our homeward walk together, without any comment
until Angela had satisfied herself about the correctness of her change.
"What a slop you are!" remarked Henrietta, as her critical eye swept
over the undeveloped little figure in the long, greasy black-taffeta
coat, which, flapping open in front, disclosed the pasty surface of a
drabbled blue skirt. "Why don't you never turn your skirt, Angela?"
"Oh, what's the dif?" replied Angela. "There ain't no fellows going to
look at me any more now."
This reply, commonplace enough, might have passed unnoticed had there
not been a note of tragedy in her deep contralto voice.
"Why, what's the matter?" I asked.
"Don't you know?" she demanded, scowling at Henrietta's silly, vacant
"tee-hee."
"Know? Know what?" I asked.
"That I'm a grass-widow."
Public-domain text, read in full here on John Shaqi.
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