The Long Day: The Story of a New York Working Girl, as Told by HerselfRichardson, Dorothy
History
The Long Day: The Story of a New York Working Girl, as Told by Herself
Richardson, Dorothy
Women -- Employment -- New York (State) -- New York -- History -- Sources
It was the most miserable and squalid of all the miserable and squalid
streets I had thus far seen, and it had the additional disadvantage of
being practically deserted of everything save the noise and smoke
overhead. There were no foot-passengers, no human sounds. It was all so
hideous and fearsome that after five minutes' walk I was not surprised
to see Henrietta select the most wretched of all the wretched houses as
the one we should enter. As we climbed the high stoop, I could see,
through the interstices of rusted ironwork that had once been handsome
balusters, the form of an Italian woman sitting in the basement window
beneath, nursing a baby at her breast.
"That's the lady what come up to help hold Fanny Harley," my room-mate
remarked as we passed inside.
IX
INTRODUCING HENRIETTA'S "SPECIAL GENTLEMAN-FRIEND"
"Say! ain't you got no special gentleman-friend?"
Henrietta's voice, breaking a pregnant silence, startled me so that I
nearly jumped off the empty soap-box where for some minutes I had sat
watching her bend over a smoking skillet of frying fat.
An answer was not to be given unadvisedly, such was the moral effect of
the question. It hadn't been asked in a casual way, but showed, by its
explosive form of utterance, that it was the result not so much of a
pent-up curiosity as of a careful speculation as to the manner in which
I would receive it. So I tried to look unconscious, and at this critical
juncture the thunder of an elevated train came adventitiously to my
rescue and gave me a few moments in which to consider what I should
reply. And as I considered unconsciously my eye took in an inventory of
the room. The heavily carved woodwork hinted of the fact that it had
once been a lady's bedchamber in the bygone days when this was a
fashionable quarter of New York, and its spaciousness and former
elegance now served rather to increase the squalor as well as to
accentuate the barrenness of its furnishings. The latter consisted of
two wooden boxes, one of which I sat upon; an empty sugar-barrel, with a
board laid across the top; a broken-down bed in an uncurtained alcove; a
very large, substantial-looking trunk, iron-bound and brass-riveted; and
last, but not least, a rusty stove, now red-hot, which might well have
been the twin sister of my own "Little Lottie" at the ill-fated
Fourteenth-street house. This stove, connected with the flue by a small
pipe, fitted into what had once been a beautiful open fireplace, but
which was now walled up with broken bricks, and surmounted by a mantel
of Italian marble sculptured with the story of Prometheus's boon to
mankind, and supported on either end by caryatides in the shape of
vestal virgins bearing flaming brands in their hands. Overhead the
ceiling showed great patches of bare lath, where the plaster had fallen
away, and the uncarpeted floor was strewn with bread-crumbs and marked
by a trail of coal-siftings from the stove to a closet-door from which
the fire was replenished.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account