The Long VacationYonge, Charlotte M. (Charlotte Mary)
History
The Long Vacation
Yonge, Charlotte M. (Charlotte Mary)
Upper class -- England -- History -- 19th century -- Fiction; Vacations -- Fiction
Mrs. Henderson took the poor girl to her own little office, to try to
comfort her, and bring her into condition for the rehearsal of the scene
with Ferdinand, which she was to go through in Mr. Flight’s parlour
chaperoned by his mother. She was so choked with sobs that it did not
seem probable that she would have any voice; for she had been struggling
with her tears all day, and now, in the presence of her friend, she
gave them a free course. She thought it so cruel--so very cruel of the
gentlemen; how could they do such a thing to a poor helpless stranger?
And that tall one--to be a clergyman--how could he?
Mrs. Henderson tried to represent that, having accepted the licence on
certain terms, it was wrong to break them; and that the gentlemen must
be right to hinder harm to their nephews.
It seemed all past the poor girl’s understanding, since the nephews had
taken no harm; and indeed the other boys had only touched the spirits
by way of joke and doing something forbidden: it had all come of those
horrid young midshipmen, who had come down and worried and bothered her
mother into giving them the bottles of spirits which had not been mixed.
It was very hard.
“Ah, Lydia, one sin leads no one knows where! Those little boys, think
of their first learning the taste for alcohol in secret!”
Lydia did see this, but after all, she said, it was not the spirits, but
the tobacco, which the Dutch and American sailors were glad enough to
exchange for her mother’s commodities. She had never perceived any harm
in the arrangement, and hardly comprehended when the saying, “Custom to
whom custom,” was pointed out to her.
Kalliope asked whether the fine would fall heavily on her mother.
“Oh, that is worst of all. Mother is gone to Avoncester to raise the
money. She won’t tell me how. And I do believe O’Leary’s circus is
there.”
Then came another sobbing fit.
“But how--what do you mean, my dear?”
“O’Leary was our clown when my father--my dear father--was alive. He was
a coarse horrid man, as cruel to the poor dear horses as he dared. And
now he has set up for himself, and has been going about all over the
county. Mother has been quite different ever since she met him one day
in Avoncester, and I fear--oh, I fear he will advance her this money,
and make her give me up to him; and my dear father made her promise that
I would never be on the boards.”
Public-domain text, read in full here on John Shaqi.
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