The pursuers, indeed, were hard upon their heels; but happily the morning sun was in their eyes. The fugitives saw them before they were seen, and drove their cart down from the mountain road through the forest to the torrent, so that the horsemen missed them and rode past them. After that, they abandoned their cart, and travelled by cross country roads and mountain paths, continually in peril of arrest, but always escaping as if by a miracle. A peasant, to whom they appealed for food and shelter, proposed to conduct them to the nearest police station, but was melted to tenderness by Mrs. Smith's tears and pitiful entreaties. They read the offer of a reward for their capture posted on the walls. They hid themselves for two days in a mountain chapel. They were stopped, and questioned, and mistaken for other more romantic fugitives--an Italian Princess who was said to have eloped with an Italian bookseller's assistant. They disguised themselves as peasants, and travelled in the midst of the real peasants' flocks of sheep. Not until after many days' wanderings did they reach Austrian territory, declare their true identity, and claim the protection of the law; and even so their troubles were not over. Austria, at that date, had not yet recovered either morally or materially from the shock of Austerlitz, and dared not stand openly between Napoleon and his prey. The fugitives had to be arrested before they could be saved. Salvo was, for a while, locked up, like a criminal, in the deepest dungeon of a Styrian Castle; and Mrs. Smith was smuggled out of the country, under the name of Frau Müller--first to Riga, and thence to England, where Salvo ultimately joined her. Queen Charlotte thanked him publicly for the service so gallantly rendered to a British subject; and he made his best bow and withdrew, remembering his promise to expect no other recompense. Such is the story of Mrs. Smith's adventure as told, first by Salvo himself, who wrote a book about it, and then by the Duchesse d'Abrantès, who devoted a long section of her Memoirs to it. One repeats it, partly for its own sake and partly because the romance of it explains how the heroine of it appealed to Byron's imagination.