The Love Affairs of Lord ByronGribble, Francis Henry
General
The Love Affairs of Lord Byron
Gribble, Francis Henry
Byron, George Gordon Byron, Baron, 1788-1824 -- Relations with women; Poets, English -- 19th century -- Biography
Byron came to Athens after an expedition, with Hobhouse, into the heart of
Albania. He was, according to Hobhouse's Diary, "all this time engaged in
writing a long poem in the Spenserian stanzas," the poem being, of course,
the first canto of "Childe Harold." That the travellers roughed it a good
deal is evident from Hobhouse's description of a supper whereat "Byron,
with his sabre, cut off the head of a goose which shared our room with a
collection of pigs and cows, and so we got an excellent roast." He was
much pleased with his reception by Ali Pasha, who said "he was certain I
was a man of birth because I had small ears, curling hair, and little
white hands." He was also, at the same time, brooding on his "passion for
a married woman," and no doubt felt himself years older in consequence of
that passion; and then, arriving at Athens, he fell in love, or fancied
or pretended that he was in love, with his landlady's daughter.
That was the social status of the Maid of Athens. Her mother, Theodora
Macri, the widow of a former British Vice-Consul, had been reduced to
letting lodgings--a sitting-room and two bedrooms, looking on to a
courtyard, much patronised by English travellers, and highly recommended
by them. There were three daughters, and there are passages in Byron's
letters which might be read to mean that he was equally in love with all
of them. "An attachment to three Greek girls" is his summary of the
incident to Hodgson; but he distinguished one of them by the special
homage of a poem destined to be one of the most famous in the English
language, with the result that Theresa Macri, Maid of Athens, became an
institution, and that subsequent lodgers made much of her, looking for a
romance where there had, in fact, been little more than the formal salute
of the ships passing in the night. Hugh W. Williams, the artist, who was
at Athens in 1817, depicts them for us:
"On the crown of the head of each is a red Albanian skull-cap, with a
blue tassel spread out and fastened down like a star. Near the edge or
bottom of the skull-cap is a handkerchief of various colours bound
round their temples. The youngest wears her hair loose, falling on her
shoulders."
[Illustration: _The Maid of Athens._]
Public-domain text, read in full here on John Shaqi.
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