The love of an uncrowned queen : $b Sophie Dorothea, consort of George I, and her correspondence with Philip Christopher, Count KönigsmarckWilkins, W. H. (William Henry)
History
The love of an uncrowned queen : $b Sophie Dorothea, consort of George I, and her correspondence with Philip Christopher, Count Königsmarck
Wilkins, W. H. (William Henry)
Königsmarck, Christopher von, 1665-1694; Sophia Dorothea, consort of George I, King of Great Britain, 1666-1726
“Ernest Augustus always had a queer head, and how such an idea could
have entered it passes all my understanding. However, one hundred
thousand thalers a year is a goodly sum to pocket, without speaking of a
pretty wife, who will find a match in my son George Louis, the most
pigheaded, stubborn boy who ever lived, and who has round his brains
such a thick crust that I defy any man or woman ever to discover what is
in them. He does not care much for the match itself, but one hundred
thousand thalers a year have tempted him as they would have tempted
anybody else.”
The marriage contract was signed at Celle by Ernest Augustus and George
Louis on the one part and George William and Sophie Dorothea on the
other; thus the Princess was induced to sign away not only her liberty,
but her fortune, and she became soul and body the property of George
Louis. The Duchess Sophia came back from Hanover to be present at the
wedding, which was hurried forward with all speed. Great preparations
were made for it, and costly presents and congratulations poured in from
all sides.
The wedding was celebrated in the private chapel of the castle of Celle,
according to the Lutheran rites, on November 21, 1682, with every
circumstance of pomp and ceremony. The town was gaily decorated, the
castle was thronged with distinguished guests; there had never been such
a wedding at Celle before. The beautiful little chapel, brilliantly
illuminated and bedecked with flowers, presented a scene of unusual
splendour. There were the bride’s procession and the bridegroom’s
procession, and the procession of the parents, and the court chroniclers
exhausted themselves in describing the beauty of the bride, the list of
her jewels, the richness of her attire. The bridegroom was scarcely less
bravely arrayed. Outwardly all was fair; but within, beneath this brave
show, what horror, what anguish, what base and ignoble passions! There
was the Duchess Sophia, exulting over the downfall of her enemies, yet
with a spice of bitterness in her cup; her husband, the wily and
covetous Ernest Augustus; the weak-minded George William; the sad and
anxious mother, who could scarcely restrain her tears; the bridegroom
muttering the unwilling words, while all the time his heart was with his
banished mistress; the child bride, she was little more than a child,
pale and unresponsive, sacrificed like another Iphigenia. The omens were
unpropitious: there was no sunshine for the bride; the morning dawned
dark and gloomy, and during the ceremony a furious storm broke over
Celle, and the wind shrieked and raged, shaking the castle walls. But
dark and gloomy though the day was, it was not so dark and gloomy as the
bride’s heart; and fierce though the tempest, it was not half so fierce
as the passions which raged in the breasts of the little group around
the altar. There were priests and prayers and benedictions, all the pomp
of heraldry and the pageantry of courts; yet when all was stripped away
Public-domain text, read in full here on John Shaqi.
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