The Lovels of ArdenBraddon, M. E. (Mary Elizabeth)
General
The Lovels of Arden
Braddon, M. E. (Mary Elizabeth)
England -- Social life and customs -- Fiction; Man-woman relationships -- Fiction
With the beginning of August there came a change in the weather. High
winds, gloom, and rain succeeded that brilliant cloudless summer-time,
which had become, as it were, the normal condition of the universe;
and Lady Laura's guests were fain to abandon their picnics and forest
excursions, their botanical researches and distant race-meetings--nay, even
croquet itself, that perennial source of recreation for the youthful mind,
had to be given up, except in the most fitful snatches. In this state
of things, amateur concerts and acted charades came into fashion. The
billiard-room was crowded from breakfast till dinner time. It was
a charmingly composite apartment--having one long wall lined with
bookshelves, sacred to the most frivolous ephemeral literature, and a grand
piano in an arched recess at one end of the room--and in wet weather was
the chosen resort of every socially-disposed guest at Hale. Here Clarissa
learned to elevate her pretty little hand into the approved form of bridge,
and acquired some acquaintance with the mysteries of cannons and pockets.
It was Mr. Fairfax who taught her billiards. Lady Geraldine dropped into
the room now and then, and played a game in a dashing off-hand way with her
lover, amidst the admiring comments of her friends; but she did not come
very often, and Mr. Fairfax had plenty of time for Clarissa's instruction.
Upon one of these wet days he insisted upon looking over her portfolio of
drawings; and in going through a heap of careless sketches they came upon
something of her brother Austin's. They were sitting in the library,--a
very solemn and splendid chamber, with a carved oak roof and deep mullioned
windows,--a room that was less used than any other apartment in the Castle.
Mr. Fairfax had caught Miss Lovel here, with her portfolio open on the
table before her, copying a drawing of Piranesi's; so there could be no
better opportunity for inspecting the sketches, which she had hitherto
refused to show him.
That sketch of Austin's--a group of Arab horsemen done in pen and ink--set
them talking about him at once; and George Fairfax told Clarissa all he
could tell about his intercourse with her brother.
Public-domain text, read in full here on John Shaqi.
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