The Loves of Krishna in Indian Painting and PoetryArcher, W. G. (William George)
Religion
The Loves of Krishna in Indian Painting and Poetry
Archer, W. G. (William George)
Hindu gods in art; Hindu painting -- India; Krishna (Hindu deity); Sanskrit poetry -- History and criticism
demon armies surround them and there appears to be no possible way of
escape. Jarasandha orders wood to be brought from the surrounding towns
and villages, piled up round the hill, saturated with oil and then set
fire to. A vast flame shoots up. The whole hill is ablaze but Krishna and
Balarama slip out unseen, take the road to Mathura and finally reach
Dwarka. When the hill is reduced to ashes, Jarasandha concludes that
Krishna and Balarama have perished. He advances to Mathura, occupies the
empty town, proclaims his authority and returns to Magadha.
[Footnote 35: Dwarka is sited on the western seaboard, 300 miles north-west
of Bombay.]
(ii) Marriages and Offspring
The immediate position, then, is that Krishna has abandoned his life among
the cowherds, has been accepted as a Yadava, has coped with the difficult
and dangerous situation arising from the tyrant king's death and finally
has saved the Yadavas from extinction by demons. This, however, has meant
the abandonment of Mathura and the movement of the Yadavas to a new city,
Dwarka. The same problem, therefore, which faced him earlier, confronts
him once again. Having obtained immunity for the Yadavas and brought them
to a new land, can Krishna now regard his mission as accomplished? Or must
he linger on earth still longer? The answer can hardly be in doubt; for
although the Yadavas appear to be installed in good surroundings, demon
hordes still range the world. The tyrant Kansa was only the worst and most
powerful member of the demon hosts. The war with Jarasandha has rid the
world of many demons, but vast numbers remain and until their ranks have
been appreciably reduced, Krishna's mission will be unfulfilled. Only one
course of action, therefore, is possible. He must accept a permanent
position in Yadava society, live as an honoured noble, a prince of the
blood royal and as occasion warrants continue to intervene in the struggle
between the good and the bad.
Public-domain text, read in full here on John Shaqi.
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