The Loves of Krishna in Indian Painting and PoetryArcher, W. G. (William George)
Religion
The Loves of Krishna in Indian Painting and Poetry
Archer, W. G. (William George)
Hindu gods in art; Hindu painting -- India; Krishna (Hindu deity); Sanskrit poetry -- History and criticism
In this way Krishna continues to live. Sometimes his wives caress his
body, ply him with delicacies or swathe him in perfumed garments.
Sometimes to ease their passion they make little figures of him or let
themselves be dressed by him. One night they go with him to a tank and
there make love in the water. Everything in the scene reminds them of
their love and they address first a _chakai_ bird. 'O _chakai_ bird, when
you are parted from your mate, you spend the whole night sadly calling and
never sleeping. Speak to us of your beloved. We are Krishna's
slave-girls.' They speak to the sea. 'O sea, you lie awake night and day,
heaving sighs. Do you grieve for a loved one who is far away?' Then they
see the moon. 'O moon, why do you grow thin? Are you also filled with
longing? Are you fascinated by Krishna?' In this way they address birds,
hills and rivers, seeking from each some consolation for their frenzied
love.
In due course, each of the sixteen thousand one hundred and eight bears
Krishna ten sons and one daughter and each is beautiful as himself.
[Footnote 36: Plate 18.]
[Footnote 37: Lanka--modern Ceylon.]
[Footnote 38: Note 12.]
[Footnote 39: A sight of the heavenly wishing-tree, the _kalpa_ or
_parijata_, which grew in Indra's heaven, was believed to make the old
young.]
(iii) Last Phases
This gradual expansion of his marital state takes Krishna even farther
from the adoring loves of his youth, the cowgirls of Brindaban. Indeed for
months on end it is as if he has dismissed them from his mind. One day he
and Balarama are sitting together when Balarama reminds him of their
promise that after staying for a time in Mathura they will assuredly visit
them. Krishna, it is clear, cannot go himself, but Balarama is less
impeded and with Krishna's approval, he takes a ploughshare and pestle,
mounts a chariot and speeds on his way.
As he nears Brindaban, the familiar scenes greet him. The cowherds and
cowgirls come into view, but instead of joy there is general despair. The
cows low and pant, rejecting the grass. The cowherds are still discussing
Krishna's deeds and the cowgirls cannot expel him from their minds. As
Balarama enters their house, Nanda and Yasoda weep with joy. Balarama is
plied with questions about Krishna's welfare and when he answers that all
is well, Yasoda describes the darkness that has descended on them since
the joy of their hearts left. Balarama now meets the cowgirls. Their hair
is disordered, they are no longer neat and smart. Their minds are not in
their work and despite Krishna's absence, they are filled with passionate
longings and frenzied desires. Some of them marvel at Krishna's love and
count it good even to have known him. Others bitterly upbraid Krishna for
deserting them. Balarama explains that his visit is to show them that
Krishna has not entirely forgotten them and as proof he offers to re-enact
the circular dance and himself engage with them as lover.
Public-domain text, read in full here on John Shaqi.
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