The Loves of Krishna in Indian Painting and PoetryArcher, W. G. (William George)
Religion
The Loves of Krishna in Indian Painting and Poetry
Archer, W. G. (William George)
Hindu gods in art; Hindu painting -- India; Krishna (Hindu deity); Sanskrit poetry -- History and criticism
Meanwhile Krishna is carefully maintaining relations with the Pandavas. We
have seen how immediately after the slaying of the tyrant he sends an
envoy to inquire after his aunt Kunti, the sister of his father, and
mother of the five Pandavas. We have also noticed how during a visit to
the Pandava court, he has acquired a new queen, Kalindi. He now embarks on
several courses of action, each of which is designed to cement their
relations. During a visit to his court, Arjuna, the brother whose lucky
shot won Draupadi for the Pandavas, falls in love with Subhadra, Krishna's
sister. Krishna is delighted to have him as a brother-in-law and as
already narrated in the epic, he advises Arjuna to marry her by capture. A
little later Krishna learns that Yudhisthira will shortly proclaim himself
a 'ruler of the world' and decides to visit the Pandava court to assist at
the sacrifice. He takes a vast army with him and advances on the court
with massive splendour. As he arrives, he learns that Jarasandha whose
feud is unabated has now imprisoned twenty thousand rajas, all of whom cry
to be released. Krishna decides that Jarasandha's demon activities must be
ended once for all and taking two of the Pandavas with him, Bhima and
Arjuna, he sets out to destroy him. Jarasandha elects to engage Bhima in
single-handed combat and for twenty-seven days the fight proceeds, each
wielding a club and neither securing the advantage. Krishna now learns
that Jarasandha can only be killed if he is split in two. He directs
Bhima, therefore, to throw him down, place a foot on one of his thighs and
catching the other leg with his hand, tear him asunder. Bhima does so and
in this way Jarasandha is destroyed. The captive rajas are now released
and after returning home they foregather at the Pandavas' court to assist
at the sacrifice.
As arrangements proceed an incident occurs which illustrates yet again the
complex situation arising from Krishna's dual character. Krishna is God,
yet he is also man. Being a man, it is normally as a man that he is
regarded. Yet from time to time particular individuals sense his Godhead
and then he is no longer man but God himself. Even those, however, who
view him as God do so only for brief periods of time and hence the
situation is constantly arising in which Krishna is one moment honoured as
God and then a moment later is treated as a man. And it is this situation
which now recurs.
Public-domain text, read in full here on John Shaqi.
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