The Luck of Roaring Camp and Other Tales: With Condensed Novels, Spanish and American Legends, and Earlier PapersHarte, Bret
General
The Luck of Roaring Camp and Other Tales: With Condensed Novels, Spanish and American Legends, and Earlier Papers
Harte, Bret
Frontier and pioneer life -- West (U.S.) -- Fiction; Western stories
“Is anything up, Mr. Hamlin?” said the man, who, like all his class,
admired the elan of his fiery patron, and was really concerned in his
welfare.
“Stand aside!”
The man fell back. With an oath, a bound, and clatter, Jack was into the
road. In another moment, to the man’s half-awakened eyes, he was but a
moving cloud of dust in the distance, towards which a star just loosed
from its brethren was trailing a stream of fire.
But early that morning the dwellers by the Wingdam turnpike, miles
aways, heard a voice, pure as a sky-lark’s, singing afield. They who
were asleep turned over on their rude couches to dream of youth, and
love, and olden days. Hard-faced men and anxious gold-seekers, already
at work, ceased their labors and leaned upon their picks to listen to a
romantic vagabond ambling away against the rosy sunrise.
* * * * *
CONDENSED NOVELS
* * * * *
MUCK-A-MUCK
A MODERN INDIAN NOVEL
AFTER COOPER
CHAPTER I
It was toward the close of a bright October day. The last rays of the
setting sun were reflected from one of those sylvan lakes peculiar to
the Sierras of California. On the right the curling smoke of an Indian
village rose between the columns of the lofty pines, while to the left
the log cottage of Judge Tompkins, embowered in buckeyes, completed the
enchanting picture.
Although the exterior of the cottage was humble and unpretentious,
and in keeping with the wildness of the landscape, its interior gave
evidence of the cultivation and refinement of its inmates. An aquarium,
containing goldfishes, stood on a marble centre-table at one end of the
apartment, while a magnificent grand piano occupied the other. The floor
was covered with a yielding tapestry carpet, and the walls were adorned
with paintings from the pencils of Van Dyke, Rubens, Tintoretto, Michael
Angelo, and the productions of the more modern Turner, Kensett, Church,
and Bierstadt. Although Judge Tompkins had chosen the frontiers of
civilization as his home, it was impossible for him to entirely forego
the habits and tastes of his former life. He was seated in a luxurious
armchair, writing at a mahogany escritoire, while his daughter, a lovely
young girl of seventeen summers, plied her crotchet-needle on an ottoman
beside him. A bright fire of pine logs flickered and flamed on the ample
hearth.
Genevra Octavia Tompkins was Judge Tompkins’s only child. Her mother had
long since died on the Plains. Reared in affluence, no pains had been
spared with the daughter’s education. She was a graduate of one of the
principal seminaries, and spoke French with a perfect Benicia accent.
Peerlessly beautiful, she was dressed in a white moire antique robe
trimmed with tulle. That simple rosebud, with which most heroines
exclusively decorate their hair, was all she wore in her raven locks.
The Judge was the first to break the silence.
Public-domain text, read in full here on John Shaqi.
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