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Opening the text

The Mad Lover, a Tragi-Comedy: The Works of Francis Beaumont and John Fletcher (3 of 10)Fletcher, John

General

The Mad Lover, a Tragi-Comedy: The Works of Francis Beaumont and John Fletcher (3 of 10)

Name: The Mad Lover, a Tragi-Comedy: The Works of Francis Beaumont and John Fletcher (3 of 10)
Author: Fletcher, John

Fletcher, John

English drama

_In the following references to the text the lines are numbered
    from the top of the page, including titles, acts, stage
    directions, &c., but not, of course, the headline or mere
    'rules.' Where, as in the lists of Persons Represented, there
    are double columns, the right-hand column is numbered after the
    left._

It has not been thought necessary to record the correction of every
turned letter nor the substitution of marks of interrogation for marks
of exclamation and _vice versa_. Full-stops have been silently inserted
at the ends of speeches and each fresh speaker has been given the
dignity of a fresh line: in the double-columned folio the speeches are
frequently run on. Only misprints of interest in the Quartos and the
First Folio are recorded.


THE ELDER BROTHER and WIT WITHOUT MONEY.

_Additions to Appendix, Vol._ II.

  p. #450#, l. 23. _for_ D _read_ A--D.

  p. #451#, l. 39. _for_ E _read_ A, D, E.
            l. 46. _for_ A--C _read_ A--D.

  p. #452#, l. 9. _for_ E _read_ A--E.
            l. 12. _for_ thing _read_ creatures.
            l. 25. _for_ A adds _read_ A and D add.
            l. 37. _for_ A _read_ A and B.

  p. #503#, l. 41. _for_ l. 21 _read_ l. 31.


THE MAD LOVER.

Variations are those of the 1st folio unless otherwise stated.

  p. #1#, ll. 3-38. Not in 1st folio.

  p. #2#, l. 19. Generall Generall.
          l. 33. Some though.
          l. 37. _Adds stage direction_] Drum within.

  p. #3#, l. 1. reads _Drum_ only.
          l. 15. must sweat; bring.
          l. 32. If ye dare.
          l. 36. damp't.

  p. #4#, l. 27. has.

  p. #6#, l. 32. Is troubled.

  p. #7#, l. 23. y _broken off in_ 2nd folio.
          l. 27. consideration what, or how.
          l. 31. undigested done.
          l. 38. 2d folio _misprints_] Men.

  p. #8#, l. 4. of a warre.
          l. 12. her backe.

  p. #9#, l. 10. 2nd folio _misprints_] plauge.
          l. 22. You men of wars.
          l. 31. Thou't.

  p. #10#, l. 16. By wambling.

  p. #12#, l. 9. And money.
           l. 36. and thou.

  p. #13#, l. 39. _Stage direction_] Captains.

  p. #14#, l. 1. 2nd folio] Princess, Calis.
           l. 9. Has.
           l. 23. shankes too [_omits_ ake].
           l. 31. a turnes.

  p. #15#, l. 15. feete has.
           l. 27. And talke.
           l. 31. Empire.

  p. #16#, l. 2. beares ye.
           l. 19. the spirits.
           l. 31. _Omits_ for ... that.
           l. 34. I thinke.
           l. 36. Or he.
           l. 38. all his heart.
           l. 40. higher prizes.

  p. #17#, l. 3. _Adds_ Finis Actus Primi.
           l. 31. Is here.

  p. #18#, l. 17. be strange.

  p. #19#, l. 35. 2nd folio _misprints_] Cni.

  p. #21#, l. 9. get he.
           l. 23. Sure is.
           l. 35. all dangers.

  p. #22#, l. 12. bids the.
           l. 20. a prize.
           l. 22. am well content.

Public-domain text, read in full here on John Shaqi.

Opening the text

The Mad Lover, a Tragi-Comedy: The Works of Francis Beaumont and John Fletcher (3 of 10)Fletcher, John

General

The Mad Lover, a Tragi-Comedy: The Works of Francis Beaumont and John Fletcher (3 of 10)

Fletcher, John

English drama

_In the following references to the text the lines are numbered
    from the top of the page, including titles, acts, stage
    directions, &c., but not, of course, the headline or mere
    'rules.' Where, as in the lists of Persons Represented, there
    are double columns, the right-hand column is numbered after the
    left._

It has not been thought necessary to record the correction of every
turned letter nor the substitution of marks of interrogation for marks
of exclamation and _vice versa_. Full-stops have been silently inserted
at the ends of speeches and each fresh speaker has been given the
dignity of a fresh line: in the double-columned folio the speeches are
frequently run on. Only misprints of interest in the Quartos and the
First Folio are recorded.


THE ELDER BROTHER and WIT WITHOUT MONEY.

_Additions to Appendix, Vol._ II.

  p. #450#, l. 23. _for_ D _read_ A--D.

  p. #451#, l. 39. _for_ E _read_ A, D, E.
            l. 46. _for_ A--C _read_ A--D.

  p. #452#, l. 9. _for_ E _read_ A--E.
            l. 12. _for_ thing _read_ creatures.
            l. 25. _for_ A adds _read_ A and D add.
            l. 37. _for_ A _read_ A and B.

  p. #503#, l. 41. _for_ l. 21 _read_ l. 31.


THE MAD LOVER.

Variations are those of the 1st folio unless otherwise stated.

  p. #1#, ll. 3-38. Not in 1st folio.

  p. #2#, l. 19. Generall Generall.
          l. 33. Some though.
          l. 37. _Adds stage direction_] Drum within.

  p. #3#, l. 1. reads _Drum_ only.
          l. 15. must sweat; bring.
          l. 32. If ye dare.
          l. 36. damp't.

  p. #4#, l. 27. has.

  p. #6#, l. 32. Is troubled.

  p. #7#, l. 23. y _broken off in_ 2nd folio.
          l. 27. consideration what, or how.
          l. 31. undigested done.
          l. 38. 2d folio _misprints_] Men.

  p. #8#, l. 4. of a warre.
          l. 12. her backe.

  p. #9#, l. 10. 2nd folio _misprints_] plauge.
          l. 22. You men of wars.
          l. 31. Thou't.

  p. #10#, l. 16. By wambling.

  p. #12#, l. 9. And money.
           l. 36. and thou.

  p. #13#, l. 39. _Stage direction_] Captains.

  p. #14#, l. 1. 2nd folio] Princess, Calis.
           l. 9. Has.
           l. 23. shankes too [_omits_ ake].
           l. 31. a turnes.

  p. #15#, l. 15. feete has.
           l. 27. And talke.
           l. 31. Empire.

  p. #16#, l. 2. beares ye.
           l. 19. the spirits.
           l. 31. _Omits_ for ... that.
           l. 34. I thinke.
           l. 36. Or he.
           l. 38. all his heart.
           l. 40. higher prizes.

  p. #17#, l. 3. _Adds_ Finis Actus Primi.
           l. 31. Is here.

  p. #18#, l. 17. be strange.

  p. #19#, l. 35. 2nd folio _misprints_] Cni.

  p. #21#, l. 9. get he.
           l. 23. Sure is.
           l. 35. all dangers.

  p. #22#, l. 12. bids the.
           l. 20. a prize.
           l. 22. am well content.

Public-domain text, read in full here on John Shaqi.

The Mad Lover, a Tragi-Comedy: The Works of Francis Beaumont and John Fletcher (3 of 10)

The Mad Lover, a Tragi-Comedy: The Works of Francis Beaumont and John Fletcher (3 of 10)

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