The Magnificent Montez: From Courtesan to ConvertWyndham, Horace
History
The Magnificent Montez: From Courtesan to Convert
Wyndham, Horace
Montez, Lola, 1818-1861
"I went off in a cab to M. d'Ecquevillez, and handed the pistols to
him. At half-past ten I returned home, to wait for my seconds. We
arrived on the ground at half-past eleven. M. de Boignes received us
coldly, with his hands in his pockets, and said: 'You do well to keep
us waiting like this for you. Name of God! this isn't a summer
morning. We think there is not sufficient motive to fight a duel.' I
answered frigidly, but politely, that I did not agree with him, and
that I was in the hands of my seconds."
"But one of them, M. de Flers," remarked the President, "thought the
quarrel trifling and said so. Another thing. Why did M. d'Ecquevillez
tell us that the pistols belonged to him? Remember, he has given us
details as to where he got them."
"I ignore details," was the lofty response.
"If you do, we don't," returned the judge.
A vigorous denial was made by de Beauvallon to the suggestion that he
was familiar with the pistols used in the duel. To convince the jury
that he was not to be believed, the opposing counsel then told them
that he had once pawned a watch belonging to somebody else. When the
judge expressed himself shocked at such depravity, de Beauvallon, says
a report, "hung his head and wept."
Nor did d'Ecquevillez, the other defendant, cut a very happy figure.
His real name was said to be Vincent, and aspersions were cast on his
right to dub himself a "Count." He swore he had never admitted that
the pistols belonged to him, and that de Beauvallon had borrowed them
from the gunsmith, Desvismes. The latter, however, calling on heaven
for support, declared the statement to be a "wicked invention."
Believing in the efficacy of numbers in getting up their case,
forty-six witnesses were assembled by the prosecution. Mlle Lievenne,
the first of them to be examined, brought with her an atmosphere of
the theatre, "adopting a flashy costume, in deplorably bad taste."
"This," says a chronicler, "took the form of a blue velvet dress, a
scarlet shawl, and a pearl-grey mantle." Altogether, a striking
colour-scheme. But it did not help her. To the indignation of the
examining-counsel, she affected to remember nothing, declaring that
she had been "too busy at the supper-table, looking after the
company."
The other young women, described as "more or less actresses," who had
also been present, appeared to be suffering from a similar loss of
memory. Their minds, they protested, were absolutely blank as to what
had happened at the restaurant and very little could be extracted
from them. When they had given their evidence, they looked for seats
in the body of the court. The Rouen ladies, however, having somewhat
rigid standards, would not permit them to sit between the wind and
their propriety.
"Things are coming to a pretty pass," they declared, "when
play-actresses imagine they can sit beside respectable women like
ourselves."
Thereupon, the discomfited damsels withdrew to the hard benches of the
public gallery.
Public-domain text, read in full here on John Shaqi.
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