Love stories; Success -- Fiction; United States -- Social life and customs -- Fiction; Youth -- Fiction
There were two separate and distinct sides to the annual carnival of the
Knights of Midas. The main object to which the many committees on
arrangements addressed themselves was the assembling in Clarkson of as
many people as could be collected by assiduous advertising and the
granting of special privileges by the railroads. The streets must be
filled, and to fill them and keep them filled it was necessary to
entertain the masses; and this was done by providing what the committee
on publicity and promotion proclaimed to be a monster Pageant of
Industry. The spectacle was not tawdry nor ugly. It did not lack touches
of real beauty. The gaily decked floats, borne over the street car
tracks by trolleys, were like barges from a pageant of the Old World in
the long ago, impelled by mysterious forces. From many floats fireworks
summoned the heavens to behold the splendor and bravery of the parade.
The procession was led by the Knights of Midas, arrayed in yellow robes
and wearing helmets which shone with all the effulgence of bright tin.
There was a series of floats on which Commerce, Agriculture,
Transportation and Manufacturing were embodied and deified in the
persons of sundry young women, posed in appropriate attitudes and lifted
high on uncertain pedestals for the admiration of the multitude. On
other cars men followed strenuously their callings; coopers hammered
hoops upon their barrels; a blacksmith, with an infant forge at his
command, made the sparks fly from his anvil as his float rumbled by. An
enormous steer was held in check by ropes, and surrounded by murderous
giants from the abattoirs; Gambrinus smiled down from a proud height of
kegs on men that bottled beer below. Many brass bands, including a
famous cowboy band from Lone Prairie, and an Indian boy band from a
Wyoming reservation, played the newest and most dashing marches of the
day. Thus were the thrift, the enterprise, the audacity, and the
generosity of the people of Clarkson exemplified.
Such was the first night's entertainment. The crowd which was brought to
town to spend its money certainly was not defrauded. The second night it
was treated to band concerts, a horse-show and other entertainments,
while the Knights of Midas closed the door of their wooden temple upon
all but their chosen guests. These were, of course, expected to pay a
certain sum for their tickets, and the sum was not small. The Knights of
Midas ball was not, it should be said, a cheap affair. Raridan and
Saxton had taken a balcony box for the ball and they asked Evelyn's
guests to share it with them. Raridan still growled to Saxton over what
he called Evelyn's debasement, but he had said nothing more to Evelyn
about it.
"Here's to the deification of Jim Wheaton," he sighed, as he and Saxton
waited for the young ladies in the Porter drawing-room.
Saxton grinned at him unsympathetically.
"Stop sighing like an air-brake. You will be dancing yourself to death
in an hour."
Public-domain text, read in full here on John Shaqi.
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