The Makers of Modern Rome, in Four BooksOliphant, Mrs. (Margaret)
History
The Makers of Modern Rome, in Four Books
Oliphant, Mrs. (Margaret)
Rome (Italy) -- History -- 476-1420
retinue of servants, but struck in the face a poor woman
who had twice held out her hand. Flee also the men who wear
an iron chain, who have long hair like women against the
rule of the Apostle, a miserable black robe, who go
barefooted in the cold, and have in appearance at least an
air of sadness and anxiety.
The following sketch of the married woman who thinks of the things of
the world, how she may please her husband, while the unmarried are
free to please God, has an interest long outliving the controversy, in
the light it throws upon contemporary Roman life.
Do you think there is no difference between one who spends
her time in fastings, and humbles herself night and day in
prayer--and her who must prepare her face for the coming of
her husband, ornament herself, and put on airs of
fascination? The first veils her beauty and the graces
which she despises; the other paints herself before a
mirror, to make herself more fair than God has made her.
Then come the children, crying, rioting, hanging about her
neck, waiting for her kiss. Expenses follow without end,
her time is spent in making up her accounts, her purse
always open in her hand. Here there is a troop of cooks,
their garments girded like soldiers for the battle, hashing
and steaming. Then the women spinning and babbling. Anon
comes the husband, followed by his friends. The wife flies
about like a swallow from one end of the house to the
other, to see that all is right, the beds made, the marble
floors shining, flowers in the vases, the dinner prepared.
Is there in all that, I ask, a thought of God? Are these
happy homes? No, the fear of God is absent there, where the
drum is sounded, the lyre struck, where the flute breathes
out and the cymbals clash. Then the parasite abandons shame
and glories in it, if he amuses the host who has invited
him. The victims of debauch have their place at these
feasts; they appear half naked in transparent garments
which unclean eyes see through. What part is there for the
wife in these orgies? She must learn to take pleasure in
such scenes, or else to bring discord into her house.
He paints for us, in another letter, a companion picture of the widow
remarried.
Public-domain text, read in full here on John Shaqi.
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