The Making Of A Novelist: An Experiment In AutobiographyMurray, David Christie
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The Making Of A Novelist: An Experiment In Autobiography
Murray, David Christie
Murray, David Christie, 1847-1907; Novelists, English -- 19th century -- Biography
We were resigned to remain supperless, when, with a prodigious clatter
on the stony street, and a wild calling of voices, came down three
Turkish Cossacks, detached, to call us back, from a party of regular
troops which we had passed that morning. The news they brought was, that
the country was alive with every species of unconscionable blackguard
known to the time and region; and at their urgent advice we mounted
our tired beasts once more, and rode until a journey of some half-dozen
miles brought us to the camp. There we fed royally, and slept in safety.
X
There is a theory to the effect that every man or woman in the world
could write at least one readable and instructive novel out of his or
her own actual experience. There is a very apparent disposition to put
this idea to the test of practice, though, happily, not more than half
the world's population has been so far animated by it. An equally sage
idea is that anybody, and everybody, can take a part upon the stage.
To write a novel or to turn actor--to astonish the world with a new
Waverley, Esmond, or Copperfield, or to dazzle the mimic scene with a
novel Hamlet, Falstaff, Richelieu, or Othello--would seem the simplest
thing in the world to the apprehension of a good many excellent people.
Charles Dickens observed a great many years ago that to 'come out' in
a great part is one of the easiest things in the world; while to avoid
going in again is one of the most difficult. In my time I have both come
out and gone in again; and though I am not disposed to tax my modesty
for defences, or to offer prophecies for the future, it is not
improbable that I may repeat the experience in its completeness. I
suppose that the pursuit of the successful actor is the most fascinating
in the world. Here and there one learns that it has been distasteful in
an individual instance; but these cases are only the exceptions which
prove themselves and nothing else.
A great many people have been good enough to tell the story of my first
appearance on the stage; and they have told it in ways so diverse, and
yet so circumstantially, that I have been sometimes tempted to doubt
the genuineness of my own recollections. Here, however, for what it is
worth, is my belief about the matter.
Public-domain text, read in full here on John Shaqi.
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