“At eighteen (I hate to think of those awful times) he married Anne
Hathaway, ten years his senior. This woman was delivered of a child one
month after her marriage. I could tell you the full details of that
affair; of how he married this ignorant and stupid woman to defend
another, but let us pass over it lightly. The world need not know the
bad, it hears too much of it now. Let us only dwell on the good, think
the good, speak the good, and we will then live the good.
“For three years Shakespeare ostensibly lived with this woman, who was
whimsical, ignorant, fault-finding, jealous--ever upbraiding and too
fond of giving advice, and a most uncleanly and slovenly housekeeper
beside. When he married her Shakespeare accepted her for better for
worse, it proved to be worse, but he was determined to endure and live
it out; but after three years of purgatory he brushed away the starting
tears, took a few small necessary things, tied them in a handkerchief,
and without saying ‘good-bye’ even to the dear mother whom he loved
(although she did not understand him), started on foot for London,
anxious to lose himself in the great throng. He arrived penniless,
ragged and footsore, and sought vainly for employment; but what
could the poor country boy do? No trade, no education, no experience
with practical things! If he had been used to the manners of polite
people he could have hired out as a servant; but, alas! he was only
a country boor, unused to city ways, and driven almost to the verge
of starvation, he hung about the entrance to the theatre, and offered
to hold the horses of visitors who went within. At this he picked up
enough to pay for his scanty food and lodging. Besides holding horses
he carried a lantern, and increased his little income by attending
people home after the play, going before carrying lantern and staff.
London streets, you know, were not lighted in those days, and robbers
were also plentiful under cover of the night, so strong young men able
to give protection were needed. Occasionally he was called into the
theatre to act as a soldier or supernumerary.
Public-domain text, read in full here on John Shaqi.
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