Who said that adversity is the best teacher? Possibly it is, but
gladness is the ablest cocktail. There is no stimulant like a little
success.
I am an august personage.
I shall choke with pride, so august am I become in the Banca e Casa
Commerciale Visconti.
I call up the National City Bank concerning the price of bonds, or the
rate of exchange, in English so presumably impeccable that Signor
Visconti visibly puffs out his magnificent chest as he listens. There
is a divinity that shapes our "frontas", rough-hew them how we will.
"Visconti’s speaking," I say with firmness and the head of Visconti’s
curls his fine dyed mustache and turns away, glowing with ill-concealed
pleasure. This is seemingly what the head of Visconti’s has been
waiting for. Mentally I offer a fervent prayer that he may never be
disillusioned as to my capacity.
I toil as I have never toiled before. I come early and go late and
frequently have my lunch sent in from the adjoining delicatessen,
powdered no doubt by the contiguous junk house, and the "boss", as the
others call him, smiles with a rare unction that spells approval.
With difficulty we are actually living on my income. If I had the half
of my capital back that I had no business to put into Salmon and
Byrd—but ifs inaugurate depressing trains of thoughts. My library alone
stands between me and disaster, so like a prudent man of business I have
begun a catalogue of it and I am training Alicia to help me. I must not
again be caught by so desperate a prospect as recently faced me.
How my little household had been affected by my late slough of despond I
realize only now that I have passed it. Laughter and high spirits seem
to have been uncorked again. We play and we rollic and chatter, more
than in the early days of our _vie de famille_—how long ago is
it?—something less than a year, no longer!
It is now the end of September and the schools have reopened. We are
all sanely and industriously busy, like a normal American family, and as
though its so-called head were an adequately competent being, and not
the bungling masquerading amateur that he is. "Who never ate in tears
his bread"—well, we have made intimate acquaintance of poverty and we
fear it less than of yore—though we hate it more. It may be an
impostor, but who maintains that all impostors are harmless? I
certainly would deny that premise, so—we are cataloguing the library.
"Here is ’The Anatomy of Melancholy’ by Burton," announces Alicia,
taking down a volume.
"Small quarto, printed at Oxford, 1621," I finish for her.
"Yes," she breathes, marveling wide-eyed. "How can you remember such
things, Uncle Ranny?" for so I have asked her to call me.
"How can I remember?" I ask in surprise. "How can I remember that you
are Alicia Palmer, close to the towering age of fifteen, or that Jimmie
Pendleton is five?"
Public-domain text, read in full here on John Shaqi.
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