Then he began to laugh at the phrase. He was joking, positively joking.
That is the way with the Parisian tradesman of to-day: he begins by
being scared to death by a mere nothing, and ends by laughing at
everything. Theophrastus Longuet had reached the point of laughing at
himself. The preternatural and terrifying antithesis between Cartouche
and Longuet, which had at first plunged him into the gloomiest terror,
a few days later became a joke! The wretched man was insulting Destiny!
He was mocking the thunder! His excuse is that he did not realise the
gravity of his case.
Adolphe showed but little appreciation of his humour. At dusk they
returned to Paris; and as they came out of Saint-Lazare station, he
said to Theophrastus:
"Tell me, Theophrastus, when you're Cartouche and are walking about
Paris and observing its life, what astonishes you most? Is it the
telephone, or the railway, or the motorcars, or the Eiffel Tower?"
"No, no!" said Theophrastus quickly. "It's the policemen!"
CHAPTER IX
STRANGE POSITION OF A LITTLE VIOLET CAT
It would seem that the Destiny which rules mankind takes a detestable
pleasure in making the most serene joys come before the worst
catastrophes. Never had the three friends enjoyed a dinner more than
the dinner which they had that night at the café Des Trois Etoiles.
They dined well, the coffee was excellent, and the cigars which Adolphe
had brought with him, and the Russian cigarettes which Marceline
smoked, were excellent too. They lingered talking together for a long
while after dinner; and their talk, which, under the guidance of
Adolphe, never wandered far from the sphere of the occult which now so
practically concerned them, was interesting and fascinating, in spite
of the fact that that inveterate Parisian Theophrastus would now and
again jest about his dangerous plight. At half-past ten they left the
restaurant and walked back to the flat in Gerando Street. Adolphe bade
them good-night at the bottom of the stairs.
That flat consisted of a narrow hall, nearly filled, and certainly
cramped, by a chest of polished oak. Into this hall four doors opened,
those of the kitchen and dining-room on the left, those of the
drawing-room and bedroom, which looked out on to the street, on the
right. There was a third window looking out on to the street, that of
the tiny room which Theophrastus had made his study. _This study had
two doors; one of them opened into the bedroom, the other into the
dining-room._ In this study was a bureau against the wall; and in it
were drawers above and below its writing-table. This writing-table let
down and shut up, and was fastened by a somewhat elaborate lock at the
edge of the bureau's top. When it was locked, all the drawers were
locked too. As a rule, Theophrastus used to set a little violet cat on
the keyhole of the lock, as much to hide it as for ornament.
Public-domain text, read in full here on John Shaqi.
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