The manufacture of earth colours : $b With thirty-one illustrationsBersch, Josef
Science
The manufacture of earth colours : $b With thirty-one illustrations
Bersch, Josef
Coloring matter; Pigments
If the sludge be run into the press from a tank at sufficient height,
two charges can be worked in a day, but the cakes will not be as firm
as butter of medium hardness. It is better to pump the charge into
the press by means of a special diaphragm pump. The drainage is then
incomparably quicker, the cakes will be formed in about an hour and
will also be drier. A good deal, however, depends, naturally, on the
nature of the earth colour.
If the colour contains acid, alkali or salts, the filter-cloths can be
washed by flushing the press with water under pressure. The cloths are
made of specially fine cotton fabric. The press-runnings, which are
never quite clear, are collected in a clarifying tank, where they are
treated with lime and kieserite, whereby gypsum is formed, and the mass
is put through a filter-press, which retains the solids and leaves the
effluent clear.
[Illustration: FIG. 19.]
Filter-cloths which have become choked by use are spread on a table and
scrubbed with water, or else washed in a special machine (Fig. 19),
consisting of a rotary drum, with belt drive, the rotation circulating
the water in the interior trough and enabling it to extract the dirt
from the cloths. The flow and discharge of the water are controlled
by valves, and the water may be warmed by admitting steam into the
machine. The size of the washer depends on that of the filter-cloths.
From the press, the cakes of colour are conveyed to the drying-plant,
usually by the aid of automatic machinery.
_Drying Appliances._--The stiff paste or cakes from the hydro-extractor
or filter-press can be shaped, but require to be dried before they are
put on the market. Drying is a wearisome operation, the finely divided
material taking a very long time to dry completely, even during the
summer months, whilst in winter it is almost impossible to get certain
colours--such as ferric oxide colours and levigated clay--quite dry in
the air, the inside of the lumps remaining soft and pasty after lying
for months.
The only way in which this troublesome delay in the completion of
the operation can be overcome is by artificial drying; but as the
employment of artificial heat entails expense, it is necessary to carry
on the process with the smallest possible outlay, in view of the low
commercial value of most earth colours.
Long experience has convinced the author that the arrangement of
the drying-rooms in many colour works is based on entirely wrong
principles, and that a great portion of the heat furnished by the fuel
is wasted. For this reason the description of a properly arranged
drying-room will be welcomed by a number of readers.
Public-domain text, read in full here on John Shaqi.
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