The Mapleson Memoirs, 1848-1888, vol IMapleson, James Henry
History
The Mapleson Memoirs, 1848-1888, vol I
Mapleson, James Henry
Opera -- England -- London; Opera -- United States
Mdlle. Nilsson's performances were continued throughout the season with
increasing success, she appearing successively as "Martha," "Donna
Elvira," and the "Queen of Night" in the _Magic Flute_. She repeated the
_Traviata_ again and again, bringing the season to a most brilliant
termination.
After a short holiday I recommenced my regular autumn tour in Dublin,
repeating the usual Liverpool morning concert with the usual success.
After visiting Liverpool and Manchester, I returned to London and opened
my season on the 28th October.
In consequence of my having engaged a female harpist I received a round
Robin from the orchestra, threatening to leave at the end of the week
unless I at once replaced her by a male performer. I insisted on
receiving the week's notice to which I was entitled, and, seeing
evidence of a conspiracy, took out a summons against every member of my
orchestra. On the day fixed for the hearing the musicians excused
themselves, through their solicitor, from appearing, their case not
being ready. Afterwards I myself was unable through indisposition to
appear on the day to which the case had been adjourned. At this there
was much groaning among the defendants, and threats were uttered. The
Trade Unions were very active just then throughout the country, and the
players had been promised unlimited support towards maintaining their
menaced strike. At last the case was heard; but on the very day before
the one fixed by the Magistrate for giving his decision an occurrence
took place which rendered all further proceedings in the matter
unnecessary.
Towards the end of November an insurance agent called upon me urging the
necessity of effecting an insurance on my properties, scenery and
dresses, which had been accumulating since the beginning of my tenancy.
I replied that in consequence of the high rate of premium it was better
to let things take their chance. Besides, there was no probability,
under my management, of the theatre ever being destroyed by fire.
Eventually we came to terms as to the rate to be charged.
About this time a proposition was made to let the theatre to Professor
Risley for his Japanese performances, to run from Christmas to February.
A large sum of money was to be paid to me, and it was verbally agreed
that my treasurer should be retained by the new-comers to superintend
the front of the house and the monetary arrangements.
Public-domain text, read in full here on John Shaqi.
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