The Mapleson Memoirs, 1848-1888, vol IIMapleson, James Henry
History
The Mapleson Memoirs, 1848-1888, vol II
Mapleson, James Henry
Opera -- England -- London; Opera -- United States
On the following morning I came up to the Police Court, which was
crowded. Police Captain Short was first called for the prosecution, and
testified that the Opera-house was a place of amusement, but that it had
been turned into a place of danger every evening since I had been there.
Stools and standing spectators were in the main passages, and in case of
a panic the consequences would have been most disastrous. Officer
O'Connell testified that on the particular night in question there were
57 people standing in one little passage-way having about a dozen small
folding stools amongst them. I was then placed on the witness stand,
when I stated that I was the manager of the Opera Company, but not of
the theatre. I had simply control of the stage, whilst the manager was
responsible for the auditorium, and had provided me with the delinquent
ushers. The box book-keeper was afterwards placed on the stand, who
swore that I had ordered him to sell one-fifth less tickets than the
manager had stated the house would hold. The defence only desired to
make out the point that I was not the responsible manager. The Judge,
however, decided otherwise, and found me guilty.
I was to appear the following morning to hear sentence. A heavy fine was
imposed. But it was ultimately reduced to 75 dollars, which the Judge,
evidently a lover of music, consented to take out in opera tickets.
That evening Patti appeared as "Leonora" in _Il Trovatore_. Standing
room on the church steps opposite the main entrance to the theatre was
again at a great premium, and a force of policemen under Captain Short
was early on duty keeping the vestibule clear of loiterers, and allowing
none but those who intended to witness the opera to be present.
I will not go into details of the performances either of Signor Nicolini
as "Manrico," or of Patti as "Leonora." The representation was one
unbroken triumph, and, as usual, the stage was piled up with set pieces
and flowers.
About this time a report was brought to me as to the examination I had
caused to be made of the bogus tickets, which could only be recognized
after being soaked in water, when it appeared that the real ones
consisted of three plies of cardboard and the bogus ones only of two.
But even after all this explanation, so disappointed and indignant were
those who held the bogus tickets that they insisted, not only upon their
money being returned, of which I had never received a penny, but also on
their travelling and hotel expenses being repaid them. Many had come
hundreds of miles in order to visit the opera.
Having arranged to give a concert on the following Thursday at the
Pavilion, a large building capable of holding some 8,000 or 9,000
people, and in order to prevent a recurrence of the scenes I had just
encountered and the daily trouble experienced throughout this
engagement, I resolved to put up the choice of seats to auction.
Public-domain text, read in full here on John Shaqi.
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