The Markenmore MysteryFletcher, J. S. (Joseph Smith)
General
The Markenmore Mystery
Fletcher, J. S. (Joseph Smith)
Detective and mystery stories; Murder -- Investigation -- Fiction
“Bit of a cross on the silver band,” said Grimsdale. He winked
knowingly at the detective. “I’d know my own mark again—anywhere!”
Blick nodded. Then he glanced round at the men in the far corner of
the room.
“Gossiping about all this, I suppose?” he asked.
“Aye!” assented Grimsdale. “Lord bless you!—they’ll talk of nothing
else for many a day—unless there’s a four-legged fowl or a calf with
three heads comes along! It’s pie to them, all this, Mr. Blick. You
being a Londoner, you don’t know what village folk are for talk and
gossip!”
“Who’s the biggest gossip in the place?” asked Blick.
“Benny Cripps, the sexton,” replied Grimsdale promptly. “Get talking
to him, and he’ll tell you the whole history of Markenmore and every
man, woman, and child in it, high and low, rich and poor, since
Doomsday—whenever that was, and it must be a long time ago. They say
he knows the pedigree of these Markenmores, for instance, better than
they do themselves!”
“An interesting old party,” remarked Blick. “Where does he hang out?”
“Next cottage to the churchyard,” replied Grimsdale. “Old, thatched
cottage.”
“Well,” said Blick, lifting his elbows off the bar-counter. “I’m
going for a stroll—to have a look round. You’ll have supper ready
for me about eight?”
“Right, sir—got a nice roast chicken for you,” answered Grimsdale.
“A beauty!”
Blick laughed, nodded, and went away into the village street. He had
an eye for the picturesque, this tracker of criminals, and the little
south-country settlement, half as ancient as the hill-sides above it,
appealed to him. Markenmore was a place of tiny thatched cottages,
set in gardens and orchards, with here and there a substantial
farmstead, set back from the road, in its paddock or home-garth; its
main feature stood in its midst—a grey old church, whose tower and
spire rose high above the elms and poplars that fenced in the
churchyard. In these early spring days there was a great sense of
peace about these rustic surroundings, and it struck Blick that it
seemed odd that he should be there, amidst so much natural serenity,
under his present circumstances. Everything just then, from the new
flowers and plants in the cottage gardens to the new nests high in
the fresh-leaved trees, spoke of life—and his task was to discover
the author of a crime, the cause of a violent death.
Public-domain text, read in full here on John Shaqi.
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