“There she goes,” said Crow, sorrowfully; “and if she 'd have stayed ten minutes more I 'd have had her all complete!” and he contemplated with glowing satisfaction a hasty sketch he had just made in his book. “It's like her,--far more than anything I have done yet; but after all--” And he shook his head mournfully as he felt the poor pretension of his efforts. “Small blame to me to fail, anyhow,” added he, after a pause. “It would take Titian himself to paint her; and even he couldn't give all the softness and delicacy of the expression,--that would take Raffaelle; and Vandyke for her eyes, when they flash out at times; and Giordano for the hair. Oh, if he could have seen it just as I did a minute ago, when the wind blew it back, and the sunlight fell over it! “Arrah!” cried he, impatiently, as with a passionate gesture he tore the leaf from his book and crushed it in his hand,--“arrah! What right have I even to attempt it?” And he sat down, covering his face with his hands, to muse and mourn in silence. Simpson--or as he was more generally known, Simmy Crow--was neither a Michael Angelo nor a Raffaelle; but he was a simple-minded, honest-hearted creature, whose life had been a long hand-to-hand fight with fortune. Originally a drawing-master in some country academy, the caprice--for it was little else--of a whimsical old lady had sent him abroad to study; that is, sent him to contemplate the very highest triumphs of genius with a mind totally unprepared and uncultivated, to gaze on the grandest conceptions without the shadow of a clew to them, and to try and pick up the secrets of art when he stood in utter ignorance of its first principles. The consequence was, he went wild in the enthusiasm of his admiration; he became a passionate worshipper at the shrine, but never essayed to be priest at the altar. Disgusted and dispirited by his own miserable attempts, he scarcely ever touched a pencil, but roved from city to city, and from gallery to gallery, entranced,--enchanted by a fascination that gradually insinuated itself into his very being, and made up the whole aim and object of his thoughts. This idolatry imparted an ecstasy to his existence that lifted him above every accident of fortune. Poor, hungry, and ill-clad, he still could enter a gallery or a church, sit down before a Guido or a Rembrandt, and forget all, save the glorious creation before him. By the sudden death of his patroness, he was left, without a shilling, hundreds of miles from home. Humble as his requirements were, he could not supply them; he offered to teach, but it was in a land where all have access to the best models; he essayed to copy, but his efforts were unsalable. To return home to his country was now his great endeavor; and after innumerable calamities and reverses, he did arrive in England, whence he made his way to Ireland, poorer than he had quitted it.