The Martyrdom of MadelineBuchanan, Robert Williams
General
The Martyrdom of Madeline
Buchanan, Robert Williams
Fiction
It could not be expected that the days would continue to glide thus
smoothly along; nevertheless the peace was broken rather sooner than one
would have anticipated. One morning, as Madeline rose from the breakfast
table and put on her hat for a stroll along the sands, her husband laid
his hand upon her arm and drew her into her seat again.
‘Madeline, _mon amie!_ he said in his blandest tone, ‘I wish to arrange
with you concerning our domestic life. I should have wished the first
advance to come from you; but since that cannot be, since you take so
little interest in our _menage_ as to be indifferent to it, it is time
for me to speak.’
The girl sat quietly where she had been placed, and fixed her eyes sadly
upon the Frenchman. He had used her like a villain, but for the moment
the part which he had played was partially or entirely forgotten. She
thought only of the man who had first awakened romance within her. Had
Monsieur Belleisle spoken kindly, had he infused into his tone and words
one-half the tenderness which at one time he had at his command, she
might have thrown herself into his arms, with tears of tenderness and
sorrow; but his manner chilled her, and her rising tears were checked by
the presence of Madame de Fontenay, who sat in the room quietly watching
and waiting.
Madeline remained silent; so the Frenchman spoke again--
‘How do you suppose,’ said he, ‘that we are to live, my dear?’
Still Madeline was dumb--what could he mean by asking her such a
question?
‘You will write,’ continued Monsieur Belleisle--‘write at once, for
enough time has been wasted, to your English guardian--M’sieur White, I
think you have called him--and ask him to send you two hundred pounds.’
Still Madeline stared in silence. She was not thinking of the Frenchman
now. All her present surroundings faded away, and she saw only the
pleasant little studio in St. John’s Wood, with the dearly beloved
figure of White standing amidst his brushes, canvas, and paints. But he
was not looking genially about him, as she had so often seen him do; his
eyes were fixed with a look of sad reproach upon the painted face of a
gipsy-like girl of ten, and his voice cried out with a ring of terrible
sorrow--
‘Madeline--my little Madeline!’
The girl saw and heard, and in her anguish she dropped her face in her
hands and burst into a passionate flood of tears.
They were the first tears she had shed since her marriage. The storm had
been long in bursting; but now its violence was intense. For a time she
remained utterly prostrated by her sorrow; when she raised her head she
saw that the Frenchman was calmly looking on..
‘Is it over?’ he asked.
Madeline did not answer him; she stifled her sobs, dried her eyes, and
walked over to the window. The Frenchman followed her with his eyes.
‘You are longing for your morning walk, my wife,’ he said; ‘_eh bien_,
write the letter and you shall go.’
‘I cannot write the letter, M’sieur Belleisle.’
Public-domain text, read in full here on John Shaqi.
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