I make my cut a third time. When the moment has come to resume the
series of boxed cones, the caterpillar arms the breach with bristles
arranged in a disk, as they appear in the last courses of the
undisturbed structure. This configuration shows that the end of the
task is at hand. The cocoon is strengthened for a little longer; then
rest ensues and the metamorphosis begins in a dwelling with a niggardly
fence to it, one which would not strike terror into the puniest
invader.
To sum up, the caterpillar, incapable of perceiving the dangers
attendant upon an incomplete palisade, resumes its work, after each
amputation of the cocoon, at the point where it had left it before the
accident. Instead of thoroughly restoring the ruined exit, which its
very abundant store of silk would allow it to do; instead of reerecting
on the breach a projecting cone of many layers, to replace the one
removed by my scissors, it runs up layers of threads that become
gradually flatter and flatter and form a continuation and not a
reconstruction of the missing layers. Moreover, this work of
fence-building, the need for which would seem imperious to any
reasoning creature, does not appear to preoccupy the caterpillar more
than usual, for it keeps on alternating this work with that of the
cocoon, which is much less urgent. Everything goes by rote, as though
the serious incident of the housebreaking had not occurred. In a word,
the caterpillar does not begin all over again a thing once made and
then destroyed; it continues it. The early stages of the work are
lacking; no matter: the sequel follows without any modification in the
plans.
Public-domain text, read in full here on John Shaqi.
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