“My dear Jack,” she said, sweetly, “how absurd of you! It was simply the
contrast of your eyes peering over Leonard's hair It was like a gorgeous
sunset with a black cloud overhead.” She laughed. “Do you see what I
mean, Eve?” She affected to see Eve for the first time.
Eve had been looking calmly ahead. She turned now and smiled serenely.
Loder felt no vibration of the arm he held, yet by an instant intuition
he knew that the two women were antagonistic. He experienced it with the
divination that follows upon a moment of acute suspense. He understood
it, as he had understood Lillian's look of recognition when his
forehead, eyes, and nose had shown him to be himself; her blank surprise
when his close-shaven lip and chin had proclaimed him Chilcote.
He felt like a man who has looked into an abyss and stepped back from
the edge, outwardly calm but mentally shaken. The commonplaces of life
seemed for the moment to hold deeper meanings. He did not hear Eve's
answer, he paid no heed to Lillian's next remark. He saw her smile
and turn to the red-haired man; finally he saw her move on into the
supper-room, followed by her little court. Then he pressed the arm he
was still holding. He felt an urgent need of companionship--of a human
expression to the crisis he had passed.
“Shall we get out of this?” he asked again.
Eve looked up. “Out of the room?” she said.
He looked down at her, compelling her gaze. “Out of the room--and the
house,” he answered. “Let us go-home.”
XVII
The necessary formalities of departure were speedily got through. The
passing of the corridors, the gaining of the carriage, seemed to Loder
to be marvellously simple proceedings. Then, as he sat by Eve's side and
again felt the forward movement of the horses, he had leisure for the
first time to wonder whether the time that had passed since last he
occupied that position had actually been lived through.
Only that night he had unconsciously compared one incident in his life
to a sketch in which the lights and shadows have been obliterated and
lost. Now that picture rose before him, startlingly and incredibly
intact. He saw the sunlit houses of Santasalare, backgrounded by the
sunlit hills--saw them as plainly as when he himself had sketched them
on his memory. Every detail of the scene remained the same, even to the
central figure; only the eye and the hand of the artist had changed.
At this point Eve broke in upon his thoughts. Her first words were
curiously coincidental.
“What did you think of Lillian Astrupp to-night?” she asked. “Wasn't her
gown perfect?”
Loder lifted his head with an almost guilty start. Then he answered
straight from his thoughts.
“I--I didn't notice it,” he said; “but her eyes reminded me of a
cat's eyes--and she walks like a cat. I never seemed to see it--until
to-night.”
Eve changed her position. “She was very artistic,” she said,
tentatively. “Don't you think the gold gown was beautiful with her
pale-colored hair?”
Public-domain text, read in full here on John Shaqi.
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