The mediaeval stage, volume 1 (of 2)Chambers, E. K. (Edmund Kerchever)
History
The mediaeval stage, volume 1 (of 2)
Chambers, E. K. (Edmund Kerchever)
Drama, Medieval -- History and criticism; Theater -- History -- Medieval, 500-1500
man of honour or worship or waite of some towne corporate or other
ancient town, or else of such honestye and conyng as shalbe thought
laudable and pleasant to the hearers[236].’ In any case the whole drift
of social development was to make things difficult for the independent
minstrels and to restrict the area of their wanderings.
The widespread popularity of the minstrels amongst the mediaeval laity,
whether courtiers, burghers, or peasants, needs no further labouring.
It is more curious to find that in spite of the formal anathemas of the
Church upon their art, they were not, as a matter of fact, rigorously
held at arm’s length by the clergy. We find them taking a prominent
part in the holyday festivities of religious guilds[237]; we find
them solacing the slow progress of the pilgrimages with their ready
wit and copious narrative or song[238]; we find them received with
favour by bishops, even upon their visitations[239], and not excluded
from a welcome in the hall of many a monastery. As early as 1180, one
Galfridus, a _citharoedus_, held a ‘corrody,’ or right to a daily
commons of food and drink in the abbey of Hyde at Winchester[240].
And payments for performances are frequent in the accounts of the
Augustinian priories at Canterbury[241], Bicester, and Maxtoke, and
the great Benedictine houses of Durham, Norwich, Thetford, and St.
Swithin’s, Winchester[242], and doubtless in those of many another
cloistered retreat. The Minorite chroniclers relate, how at the time
of the coming of the friars in 1224 two of them were mistaken for
minstrels by the porter of a Benedictine grange near Abingdon, received
by the prior and brethren with unbecoming glee, and when the error was
discovered, turned out with contumely[243]. At such semi-religious
foundations also, as the college of St. Mary at Winchester, or
Waynflete’s great house of St. Mary Magdalen in Oxford, minstrels of
all degrees found, at least by the fifteenth century, ready and liberal
entertainment[244].
How, then, is one to reconcile this discrepancy between the actual
practice of the monasteries and the strict, the uncompromising
prohibition of minstrelsy in rule and canon? An incomplete answer
readily presents itself. The monks being merely human, fell short of
the ideal prescribed for them. We do not now learn for the first time,
that the ambitions of the pious founder, the ecclesiastical law-giver,
the patristic preacher, were one thing; the effective daily life of
churchmen in many respects quite another. Here, as in matters of even
more moment, did mediaeval monasticism ‘dream from deed dissever’--
‘The reule of Seint Maure or of Seint Beneit,
By-cause that it was old and som-del streit
This ilke monk leet olde thinges pace,
And held after the newe world the space.’
Public-domain text, read in full here on John Shaqi.
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