The mediaeval stage, volume 1 (of 2)Chambers, E. K. (Edmund Kerchever)
History
The mediaeval stage, volume 1 (of 2)
Chambers, E. K. (Edmund Kerchever)
Drama, Medieval -- History and criticism; Theater -- History -- Medieval, 500-1500
From the fourteenth century it is possible to trace the growth of the
household minstrels as a privileged class at the expense of their less
fortunate rivals. The freedom of access enjoyed by the entertainers of
earlier days was obviously open to abuse. We have seen that in 1317
it led to the offering of an insult to Edward II by an emissary clad
as a minstrel at his own table. It was only two years before that a
royal proclamation had considerably restrained the liberty of the
minstrels. In view of the number of idle persons who ‘under colour of
mynstrelsie’ claimed food, drink, and gifts in private houses, it was
ordered ‘that to the houses of prelates earls and barons none resort
to meate and drynke, unless he be a mynstrel, and of these mynstrels
that there come none except it be three or four minstrels of honour
at the most in one day, unlesse he be desired of the lorde of the
house.’ The houses of meaner men are to be altogether exempt, except
at their desire[232]. I think it is probable that by ‘minstrels of
honour’ we must here understand ‘household minstrels[233]’; and that
the severity of the ordinance must have come upon those irresponsible
vagrants who had not the shelter of a great man’s name. With the
Statutes of Labourers in the middle of the fourteenth century begins a
history of legislation against ‘vacabonds and valiant beggars,’ which
put further and serious difficulties in the way of the free movement
of the migratory classes through the country[234]. Minstrels, indeed,
are not specifically declared to be ‘vacabonds’ until this legislation
was codified by William Cecil in 1572[235]; but there is evidence that
they were none the less liable to be treated as such, unless they
had some protection in the shape of livery or licence. At Chester
from the early thirteenth century, and at Tutbury in Staffordshire
from 1380, there existed courts of minstrelsy which claimed to issue
licences to all performers within their purview. It is not probable
that this jurisdiction was very effective. But a step taken by Edward
IV in 1469 had for its avowed object to strengthen the hands of what
may be called official minstrelsy. Representation had been made to the
king that certain rude husbandmen and artificers had usurped the title
and livery of his minstrels, and had thus been enabled to gather an
illegitimate harvest of fees. He therefore created or revived a regular
guild or fraternity of minstrels, putting his own household performers
with their _marescallus_ at the head of it, and giving its officers
a disciplinary authority over the profession throughout the country,
with the exception of Chester. It is not improbable, although it is
not distinctly stated, that admission into the guild was practically
confined to ‘minstrels of honour.’ Certainly one of the later local
guilds which grew up in the sixteenth century, that of Beverley,
limited its membership to such as could claim to be ‘mynstrell to some
Public-domain text, read in full here on John Shaqi.
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