The mediaeval stage, volume 1 (of 2)Chambers, E. K. (Edmund Kerchever)
History
The mediaeval stage, volume 1 (of 2)
Chambers, E. K. (Edmund Kerchever)
Drama, Medieval -- History and criticism; Theater -- History -- Medieval, 500-1500
Of the three main groups of minstrels distinguished by Thomas de
Cabham, two correspond roughly to the two broad types which, from the
point of view of racial tradition, we have already differentiated. His
musicians correspond to the Teutonic gleemen and their successors;
his posture-mongers and buffoons to the Roman _mimi_ and their
successors. Who then are Thomas de Cabham’s third and intermediate
group, the satirists whose lampoons beset the courts of the great?
Well, raillery and invective, as we have seen, were common features
of minstrelsy; but Gautier may very likely be right when he surmises
that Thomas de Cabham has particularly in mind the _scolares vagantes_,
who brought so much scandal upon the Church during the twelfth and
thirteenth centuries[248]. Some of these were actually out at elbows
and disfrocked clerks; others were scholars drifting from university
to university, and making their living meantime by their wits; most
of them were probably at least in minor orders. But practically they
lived the life of the minstrels, tramping the road with them, sharing
the same temptations of wine, women, and dice, and bringing into the
profession a trained facility of composition, and at least a flavour
of classical learning[249]. They were indeed the main intermediaries
between the learned and the vernacular letters of their day; the spilth
of their wit and wisdom is to be found in the burlesque Latin verse of
such collections as the _Carmina Burana_, riotous lines, by no means
devoid of poetry, with their half-humorous half-pathetic burden,
‘In taberna quando sumus
Non curamus quid sit humus[250].’
And especially they were satirists, satirists mainly of the hypocrisy,
cupidity and evil living of those in the high places of the Church,
for whom they conceived a grotesque expression in Bishop Golias, a
type of materialistic prelate, in whose name they wrote and whose
_pueri_ or _discipuli_ they declared themselves to be[251]. _Goliardi_,
_goliardenses_, their reputation in the eyes of the ecclesiastical
authorities was of the worst, and their ill practices are coupled with
those of the minstrels in many a condemnatory decree[252].
Public-domain text, read in full here on John Shaqi.
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